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	<title>Comments on: Using LAB Color</title>
	<link>http://www.digitalfieldguide.com/blog/598</link>
	<description>Digital Photographs and Techniques from Harold Davis</description>
	<pubDate>Sat, 17 May 2008 00:42:09 +0000</pubDate>
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		<title>By: Photoblog 2.0: 
   &#187; Photoblog 2.0 Archive:   &#187; Trio of Double Hellebores</title>
		<link>http://www.digitalfieldguide.com/blog/598#comment-52999</link>
		<dc:creator>Photoblog 2.0: 
   &#187; Photoblog 2.0 Archive:   &#187; Trio of Double Hellebores</dc:creator>
		<pubDate>Wed, 12 Dec 2007 20:05:49 +0000</pubDate>
		<guid>http://www.digitalfieldguide.com/blog/598#comment-52999</guid>
		<description>[...]  on the image in Photoshop using a variety of blending modes with duplicated inversions of LAB channels. 	 [...]</description>
		<content:encoded><![CDATA[<p>[&#8230;]  on the image in Photoshop using a variety of blending modes with duplicated inversions of LAB channels. 	 [&#8230;]</p>
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	<item>
		<title>By: Photoblog 2.0: 
   &#187; Photoblog 2.0 Archive:   &#187; Faerie Rose on Black</title>
		<link>http://www.digitalfieldguide.com/blog/598#comment-43981</link>
		<dc:creator>Photoblog 2.0: 
   &#187; Photoblog 2.0 Archive:   &#187; Faerie Rose on Black</dc:creator>
		<pubDate>Fri, 12 Oct 2007 15:40:16 +0000</pubDate>
		<guid>http://www.digitalfieldguide.com/blog/598#comment-43981</guid>
		<description>[...] ted part of our garden, first on white, then via an inversion of the Luminosity channel in LAB color, on black.  	By the way, the original Photoshop files for these two images are huge, each a b [...]</description>
		<content:encoded><![CDATA[<p>[&#8230;] ted part of our garden, first on white, then via an inversion of the Luminosity channel in LAB color, on black.  	By the way, the original Photoshop files for these two images are huge, each a b [&#8230;]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Photoblog 2.0: 
   &#187; Photoblog 2.0 Archive:   &#187; Faerie Rose on Black</title>
		<link>http://www.digitalfieldguide.com/blog/598#comment-43980</link>
		<dc:creator>Photoblog 2.0: 
   &#187; Photoblog 2.0 Archive:   &#187; Faerie Rose on Black</dc:creator>
		<pubDate>Fri, 12 Oct 2007 15:40:11 +0000</pubDate>
		<guid>http://www.digitalfieldguide.com/blog/598#comment-43980</guid>
		<description>[...] ted part of our garden, first on white, then via an inversion of the Luminosity channel in LAB color, on black.  	By the way, the original Photoshop files for these two images are huge, each a b [...]</description>
		<content:encoded><![CDATA[<p>[&#8230;] ted part of our garden, first on white, then via an inversion of the Luminosity channel in LAB color, on black.  	By the way, the original Photoshop files for these two images are huge, each a b [&#8230;]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Photoblog 2.0: 
   &#187; Photoblog 2.0 Archive:   &#187; Roughly, Millenium</title>
		<link>http://www.digitalfieldguide.com/blog/598#comment-42942</link>
		<dc:creator>Photoblog 2.0: 
   &#187; Photoblog 2.0 Archive:   &#187; Roughly, Millenium</dc:creator>
		<pubDate>Wed, 03 Oct 2007 18:35:27 +0000</pubDate>
		<guid>http://www.digitalfieldguide.com/blog/598#comment-42942</guid>
		<description>[...] s, plastic gnomes, wishing wells, or pink flamingos in their garden&#8230; Read more. 	 	 	 	Post 598: I’ve been reading Dan Margulis’s masterful Photoshop LAB Color: The Canyon Conundrum an [...]</description>
		<content:encoded><![CDATA[<p>[&#8230;] s, plastic gnomes, wishing wells, or pink flamingos in their garden&#8230; Read more. 	 	 	 	Post 598: I’ve been reading Dan Margulis’s masterful Photoshop LAB Color: The Canyon Conundrum an [&#8230;]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Photoblog 2.0: 
   &#187; Photoblog 2.0 Archive:   &#187; Persistence of Vision</title>
		<link>http://www.digitalfieldguide.com/blog/598#comment-37636</link>
		<dc:creator>Photoblog 2.0: 
   &#187; Photoblog 2.0 Archive:   &#187; Persistence of Vision</dc:creator>
		<pubDate>Tue, 31 Jul 2007 15:49:35 +0000</pubDate>
		<guid>http://www.digitalfieldguide.com/blog/598#comment-37636</guid>
		<description>[...] create an appropriate mask by converting a duplicate of the darker version of the image to LAB color. Next, I dropped the A and B channels of the image, leaving just the luminosity information.  [...]</description>
		<content:encoded><![CDATA[<p>[&#8230;] create an appropriate mask by converting a duplicate of the darker version of the image to LAB color. Next, I dropped the A and B channels of the image, leaving just the luminosity information.  [&#8230;]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Photoblog 2.0: 
   &#187; Photoblog 2.0 Archive:   &#187; Golden Wonder</title>
		<link>http://www.digitalfieldguide.com/blog/598#comment-13499</link>
		<dc:creator>Photoblog 2.0: 
   &#187; Photoblog 2.0 Archive:   &#187; Golden Wonder</dc:creator>
		<pubDate>Tue, 20 Mar 2007 18:48:39 +0000</pubDate>
		<guid>http://www.digitalfieldguide.com/blog/598#comment-13499</guid>
		<description>[...] cessed this image from Camera RAW using my normal workflow to reduce noise and selectively enhance luminance and radiance (this story will give you an idea of what I mean by enhancing radiance). [...]</description>
		<content:encoded><![CDATA[<p>[&#8230;] cessed this image from Camera RAW using my normal workflow to reduce noise and selectively enhance luminance and radiance (this story will give you an idea of what I mean by enhancing radiance). [&#8230;]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Photoblog 2.0: 
   &#187; Photoblog 2.0 Archive:   &#187; Nautilus 69</title>
		<link>http://www.digitalfieldguide.com/blog/598#comment-7705</link>
		<dc:creator>Photoblog 2.0: 
   &#187; Photoblog 2.0 Archive:   &#187; Nautilus 69</dc:creator>
		<pubDate>Sat, 27 Jan 2007 21:20:19 +0000</pubDate>
		<guid>http://www.digitalfieldguide.com/blog/598#comment-7705</guid>
		<description>[...] otated version of itself. 	The mild Photoshopping consists of blending the original with a LAB color inversion of itself using the Multiply belnding mode at a low opacity and a layer mask (creat [...]</description>
		<content:encoded><![CDATA[<p>[&#8230;] otated version of itself. 	The mild Photoshopping consists of blending the original with a LAB color inversion of itself using the Multiply belnding mode at a low opacity and a layer mask (creat [&#8230;]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Photoblog 2.0: 
   &#187; Photoblog 2.0 Archive:   &#187; Cyclamen</title>
		<link>http://www.digitalfieldguide.com/blog/598#comment-7635</link>
		<dc:creator>Photoblog 2.0: 
   &#187; Photoblog 2.0 Archive:   &#187; Cyclamen</dc:creator>
		<pubDate>Fri, 26 Jan 2007 18:41:18 +0000</pubDate>
		<guid>http://www.digitalfieldguide.com/blog/598#comment-7635</guid>
		<description>[...] 8217;s what I did. I took a duplicate of the center component exposure and converted it to LAB color. Next, I inverted the luminosity channel to come up with a reverse image of the white strip ( [...]</description>
		<content:encoded><![CDATA[<p>[&#8230;] 8217;s what I did. I took a duplicate of the center component exposure and converted it to LAB color. Next, I inverted the luminosity channel to come up with a reverse image of the white strip ( [&#8230;]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Photoblog 2.0: 
   &#187; Photoblog 2.0 Archive:   &#187; Xrays, Photograms, and Cross Processing, Oh My!</title>
		<link>http://www.digitalfieldguide.com/blog/598#comment-5027</link>
		<dc:creator>Photoblog 2.0: 
   &#187; Photoblog 2.0 Archive:   &#187; Xrays, Photograms, and Cross Processing, Oh My!</dc:creator>
		<pubDate>Sun, 29 Oct 2006 17:07:22 +0000</pubDate>
		<guid>http://www.digitalfieldguide.com/blog/598#comment-5027</guid>
		<description>[...] nding modes. 	My own cross-processing technique is complicated, and starts with the use of LAB color. I plan to explain some of the details of the process in a future story. 	Related links: Phot [...]</description>
		<content:encoded><![CDATA[<p>[&#8230;] nding modes. 	My own cross-processing technique is complicated, and starts with the use of LAB color. I plan to explain some of the details of the process in a future story. 	Related links: Phot [&#8230;]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Photoblog 2.0: 
   &#187; Photoblog 2.0 Archive:   &#187; Bougainvillea</title>
		<link>http://www.digitalfieldguide.com/blog/598#comment-3978</link>
		<dc:creator>Photoblog 2.0: 
   &#187; Photoblog 2.0 Archive:   &#187; Bougainvillea</dc:creator>
		<pubDate>Fri, 22 Sep 2006 23:04:04 +0000</pubDate>
		<guid>http://www.digitalfieldguide.com/blog/598#comment-3978</guid>
		<description>[...] s was a pretty straight studio shot of a bougainvillea bract. In Photoshop, I converted to LAB color. I kept a copy of the original, and inverted each channel, which I applied back in various bl [...]</description>
		<content:encoded><![CDATA[<p>[&#8230;] s was a pretty straight studio shot of a bougainvillea bract. In Photoshop, I converted to LAB color. I kept a copy of the original, and inverted each channel, which I applied back in various bl [&#8230;]</p>
]]></content:encoded>
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