Author Archives: Harold Davis

This way is not the way

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Solar Flare

Rain in California this spring has been sorely needed. It has fallen intermittently and blessedly heavy at times—but never enough to stop the drought or replenish the reservoirs. After one such downpour, I went out with my camera searching for waterdrops. It was late afternoon, and the rain had stopped. The setting sun turned drops […]

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Using Light for Emotional Impact

Photography is the art and craft of capturing light, whether via silver halide chemistry on film, or via silicon on a sensor array. “Capturing light” is probably the key part of this definition: unlike the popular perception that we photograph people or things, it is impossible to actually render anything in the absence of light. […]

Posted in Flowers, Iris, Photography | Leave a comment

Looking back and thinking forward

I’ve been looking through my archives from last year in Paris—and finding many images that I want to process! Looking back at the crop from the spring of last year helps me to understand what I did right, and what I didn’t get to do. I am using the inventory to check plan my photography […]

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Iris Friends

These variegated iris are clearly friends. They look at each other with empathy, tendrils even apparently touching—or at least waving to each other!

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Apartments on the Boulevard Haussman

I was struck by the regularity in this apartment building. Nobody had planters out, no bikes were stored, and old shoes weren’t resting in the window embrasures.  This kind of tidiness is what you might expect from the haute bourgeoisie along the Boulevard Haussmann in Paris. I photographed the facade to emphasize its evident symmetry, and processed […]

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This way is definitely not the way

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Something Fishy

One of my favorite characters in fantasy literature, J.R.R. Tolkein’s Smeagol, would have appreciated the nice, plump and juicy slab of fish I brought back from the store. The fish meat rested on skin on the back, and the skin and scales glistened with a rainbow of pastel colors in the light. I knew I […]

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Nature’s Palette

Contrary to common cliché, the colors of nature are not always beautiful. But in the case of flowers, colors are almost always beautiful to human eyes. True, flowers need to attract pollinators to survive. But in a weird and wonderful example of species symbiosis, floral propagation is also largely dependent on attractiveness to humans. Nature […]

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Zeiss Lens Ambassador – Harold Davis

I’m really pleased with my new page as a sponsored photographer on the Zeiss Camera Lens Ambassador site. Check it out: Related link: Otus & me (an informal review).

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Banks of the Seine

Using the same lens (my Zeiss 35mm) and the same camera-in-motion technique as In a Paris Park creates a moody and atmospheric image in monochrome of the banks of the Seine River and the Ile St-Louis in Paris. This could be an image from the dawn of photography—when long exposures were the norm, and it […]

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Sunday in the Park with George

Sunday in the Park with George. “George” in this case was my Zeiss 35mm f/1.4 lens. The park is Square Jean XXIII, just behind Notre Dame in Paris, on a cold November day near twilight. The most typical goal of photography is to render crisp images where camera motion is not an issue. This can […]

Posted in Landscape, Paris, Photography | 3 Comments

Adventures in a higher key

I photographed these tulips on a light box using my normal shooting sequence, but when the time came to process them I did things somewhat differently. The normal workflow is to use a bracketed sequence of exposures (intentionally biased to overexposure) to create a high-key image, which is then processed for color, and then (if […]

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French Gardens in Sepia

I was asked to prepare these monochromatic images of gardens in France with a slight sepia cast for possible use by an art world client. I like the way they came out—very mannered and apparently old-fashioned, but of course they are not old. Once again, as I observed in Photographer as Poet, these images are creative […]

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Hip to be square

An important part of the gentle art of photographic composition is to recognize that we are rendering a three-dimensional world, in part by presenting it within a two-dimensional frame. An effective composition makes some kind of order out of the chaos inherent in the world using this framing mechanism, and also through the references of […]

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