Archive for the ‘Bemusements’ Category

Spirits of the Night

Monday, May 5th, 2008

Spirits of the Night

Spirits of the Night, photo by David Joseph-Goteiner.

If you weren’t at the digital night photography workshop I gave over the weekend here in Berkeley and on location in nearby Port Oakland, then you’re like most of the world. This was a workshop attended by a small, select group of hardcore photographers dedicated to the pursuit of extreme darkness, heedless of wind, cold, and danger!

Proof of the talent, fun, and general wackiness of this event: on Friday night, socked in with fog on the top of Wildcat Peak, David, a gifted High School student, turned to painting with light using our flash lights, with the twenty second exposure above one of his results.

Great Horned Owl Chicks

Thursday, May 1st, 2008

Great Horned Owl Chicks

Great Horned Owl Chicks, photo by Harold Davis. View this image larger.

My wonderful Pilates teacher Jennifer Durning told me about the Great Horned Owls in Claremont Canyon, Oakland.

Three Great Horned Owl (Bubo virginianus) chicks sit in a nest about twenty-five feet above a wide path. While I was there, Mom and Dad hovered higher up in nearby trees.

The nest has been there for about a month, and is pretty well-known locally. I climbed up the hillside and spent the afternoon looking straight across at the chicks. In the hours I spent before it got too dark to photograph, there was a real social scene with bird lovers and photographers checking in. Some of these people visited the owls daily.

These “babies” are surprisingly large, perhaps a cat is a good comparison size-wise. As you can see, there’s quite a range of size in the siblings, with the one in front much smaller than the other two. They seemed to interact well with each other, engaging in mutual grooming, and nuzzling each other. They slept for much of the afternoon.

Looking at the antics of the clutch, I could help thinking of my three kids. Owls, humans, what’s the difference?

[Nikon D300, 80-200mm VR zoom lens with 2X telexender at 400mm (600mm in 35mm terms), 1/250 of a second at f/5.6 and ISO 320, tripod mounted.]

Wright Stairs

Tuesday, April 29th, 2008

Wright Stairs

Wright Stairs, photo by Harold Davis. View this image larger.

This is a photo taken looking straight up one of the smaller, back staircases at the Marin Center, designed by Frank Lloyd Wright. The results are almost abstract: I don’t think one is quite sure what one is looking at. There’s very little Photoshop work here, just a bit of adjustment to compensate for the mixed-color-temperature light environment.

[Nikon D300, 12-24mm zoom lens at 15mm (22.5mm in 35mm terms), 10 seconds at f/22 and ISO 100, tripod mounted.]

Related images: Resistance to Spirals Is Futile, Endless Stair.

Looking Down

Monday, April 28th, 2008

Looking Down

Looking Down, photo by Harold Davis. View this image larger.

I took the original version of this photo (you can see it below) from the top of a rotunda in San Francisco City Hall. You can see a couple of people reading notices by a courtroom door, and the faint shadow of people in motion walking the corridors, rendered wraith-like by the long three-second exposure (selected so I could get plenty of depth of field).

The circular opening in the photo was actually pretty narrow, and the railing was high. The problem for me was getting my tripod in position over this balustrade. Even so, some tripod shadow and a tripod leg ended up in the capture, and I had to Photoshop them out.

With a decent rotunda view in hand, I pasted in four successively smaller (each copy was 20% of the size of the previous version) copies of the orginal image, to create a composite with the illusion of endless depth. This is the same technique I used in Endless Stairs and World without End.

As Phyllis says, “Down, down, into the pits of Hell, each a circle of bureaucracy lower in the pit!”

Rotunda

View this image larger.

[Nikon D300, 10.5mm digital fisheye, 3 seconds at f/22 and ISO 100, tripod mounted.]

Camping on Angel Island

Friday, April 25th, 2008

Campsite #4

Campsite #4, photo by Harold Davis. View this image larger.

I spent a night last week camping on Angel Island. Smack dab in the middle of San Francisco Bay, wild in the midst of civilization, I had a great time. You can only reach Angel Island by ferry, and after the last ferry left I had the place pretty much to myself. I climbed Mount Livermore, and then settled down at my camp.

Perched on the southwest corner of the island, I had drop-dead views of Alcatraz, downtown San Francisco, and the Golden Gate. The show started at sunset, and did not stop. More photos will follow.

I took this one a little after midnight. There was a huge old Eucalytus tree stump at my campsite. I exposed for the Golden Gate Bridge, and lit the stump (which was in deep shadows) during the exposure by “painting” with light, using my headlamp.

[Nikon D300, 18-200mm VR zoom lens at 18mm (27mm in 35mm terms), 60 seconds at f/5 and ISO 100, tripod mounted.]

Related stories: Alone in the City; Gerbode Valley.

Door Knob Dome Scandal

Saturday, April 5th, 2008

Door Knob Dome Scandal

Door Knob Dome Scandal, photo by Harold Davis. View this image larger.

Everyone thought it a scandal when the door knob in my basement got together with the dome in San Francisco. But the dome and door knob were merely romantic, and invited a red rose, too.

Related image: Dream Stairs.

Dome

Saturday, April 5th, 2008

Dome

Dome, photo by Harold Davis. View this image larger.

This is the interior of the dome of San Francisco City Hall. I lay on my back in the central space of the building, letting people flow around me. The wide-angle lens and straight-up point-of view combined to create the illusion of apparent flatness (actually the dome has considerable depth).

Related stories: San Francisco City Hall; After the Wedding.

[Nikon D300, 12-24mm zoom lens at 12mm (18mm in 35mm terms), 1.3 seconds at f/22 and ISO 100, tripod mounted.]

Nicky Jumping

Thursday, April 3rd, 2008

Nicky Jumping

Nicky Jumping, photo by Harold Davis. View this image larger.

On a recent trip to Alcatraz, Nicky started jumping in the exercise yard.

I was mindful of Philippe Halsman’s famous portrait technique of asking his subjects to jump. As Halsman put it, “When you ask a person to jump, his attention is mostly directed toward the act of jumping and the mask falls so that the real person appears.” For example, here’s a famous Halsman portrait of Marilyn Monroe jumping on the cover of Life Magazine.

So when Nicky started jumping, I viewed it as a photo opportunity. I had my little Canon Powershot G9 set on aperture-preferred metering at the smallest aperture (f/8) to take advantage of the magnificent depth-of-field implied by the small sensor size of the camera. (For more about this effect, see pages 56-57 of my Light & Exposure for Digital Photographers.)

I knew there would be shutter lag, a delay between when I pressed the shutter release button and when the exposure was actually made. So I waited until Nicky was just taking off, pressed the button, and caught him in mid-air.

Nicky’s comment on looking at the photo: “I was trying to fly.” Well, fortunately Nicky is not quite the Birdman of Alcatraz, but he certainly made a good stab at flight!

[Canon G9 fixed lens, appx. 45mm in 35mm equivalent terms, aperture-preferred mode, f/8 at 1/160 of a second and ISO 80, hand held with image stabilization engaged.]

America at Home

Thursday, April 3rd, 2008

Rick Smolan gave me a coupon for a version of his book America at Home with a custom cover, and I put Julian and Nicky in the design (see below).

Rick is famous for his Day in the Life series of photography books. Like many of Rick’s projects, America at Home is extraordinarily creative in concept. Essentially, the notion of a coffee table photo book has been extended in an unexpected way through the use of POD (print on demand). Each custom copy of America at Home is a colloboration between Rick’s team of professionals and the end users who put their own photos on the cover of their copy of the book.

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Door Knob

Monday, March 24th, 2008

Door Knob

Door Knob, photo by Harold Davis. View this image larger.

This is an unmanipulated photo of a glass door knob. I’m mentioning that this is a straight photo as I have photo composition designs upon this door knob in which it will become one element in a greater whole. Time permitting, of course.

The door knob sits in a dark hallway, in this photo lit at the middle of the day by ambient sunlight from both sides. I tried lighting the knob with flash, but the wonderful internal spaces of this object disappeared. So I made due with a time exposure and the dim available light.

[Nikon D300, 200mm f/4 macro lens, 30 seconds at f/40 and ISO 100, tripod mounted.]

Vertigo

Monday, March 17th, 2008

Vertigo

Vertigo, photo by Harold Davis. View this image larger.

I lay down at the bottom of the spiral staircase shown in After the Wedding. With my tripod fitting clumsily in a tight corner of the stair, I used my digital fisheye to take a vertiginous photo up the stair well. In Photoshop, I layered in an extension to the hallway and replaced the skylight at the top of the stairs. Finally, I duplicated the image and flipped it horizontally. I pasted the original and the flipped version together to create a symmetrical, but twisted, abstraction.

[Original photo: Nikon D300, 10.5mm digital fisheye, 5 seconds at f/22 and ISO 100, tripod mounted.]

Resurrection

Saturday, March 15th, 2008

Resurrection

Resurrection, photo by Harold Davis. View this image larger.

Are cougars reincarnated as flying insects? Anything is possible. This illustration is a Photoshop composite based on my mountain lion skull and dragonfly series.

Moby Dick

Monday, March 3rd, 2008

Moby Dick

Moby Dick, photo by Harold Davis. View this image larger.

Looking through the lens at the rain-drenched petals of this white cyclamen, I was reminded of something great and white…maybe even the jaws of Moby Dick.

Here’s a photo of cyclamen water drops in a row and a couple of more colorful cyclamens.

[Nikon D300, 200mm f/4 macro lens (300mm in 35mm terms), 36mm extension tube, 1/2 of a second at f/40 and ISO 100.]

Memory Palace

Thursday, February 21st, 2008

Memory Palace

Memory Palace, photo by Harold Davis. View this image larger.

This digital photo collage is an elaboration of Dream Palace, itself a manipulation of a photo of William Randolph Hearst’s over-the-top underground swimming pool.

A memory palace, also called a method of loci, was a mnemonic system used for complex memorization in the days before external memory devices were common.

If you couldn’t write something complicated down, how were you going to remember all the details? A memory palace mentally pairs rooms in the imaginary palace with segments of the material to remember. Often the best mental memory palaces are based on an actual physical place.

If you want to try to construct a memory palace to help remember something complicated, here are some instructions for going about it.

Whining about Hearst Castle

Saturday, February 16th, 2008

This story is going to be one big whine about Hearst Castle as an abomination of an ersatz tourist trap and a monument of hagiography of a capitalistic pig paid for with public money. But before I get to the ranting, let me explain the photographic problem that the two images that go along with this story illustrate. If you are interested only in photography, feel free to skip the whining.

When you get on the tourist bus up to the castle, they make it very clear that you can’t use flash, you can’t use a tripod, and you can’t bring a bag of gear with you. Most of the interior spaces of the castle are pretty dark. So what’s a photographer to do?

I decided to see if I could use high ISO photography for something besides a fish tank. I set my D300 to ISO 6400, and left it there. The photo above shows the inside of one of Heart’s swimming pools at ISO 6400, 1/125 of a second, and f/5.6. Perfectly reasonable for hand holding, and the noise adds a nice Venetian effect to go with the overly decorative swimming pool.

The photo below shows the shadows of the tasseled chairs in the baronial dining room. This was the kind of dining room that served ketchup and condiments out of the jars along with ranch food and baroque table settings. William Randolph Hearst’s rear end probably sat in one of the chairs whose shadows are shown in this photo.

I wanted plenty of depth of field. This is a situation that would have called for a tripod. Instead, at ISO 6400 I handheld for a 1/50 of a second at f/32 exposure.

Shadow Play

View this image larger.

Warning: here comes the whining and ranting. I almost don’t know where to start. So let’s start with the place itself. There are some wonderful decorative touches by architect Julia Morgan, who put bread on her table with Hearst Castle for more than twenty years. But despite tour guide and widescreen-big-movie-that-comes-with-the-admission-ticket-and-you-have-to-sit-and-see-even-on-a-beautiful-day-particularly-if-you-are-traveling-with-kids claims that this building somehow exemplifies Spanish and Italian vernacular religious architecture, the only thing Hearst castle exemplifies is gaudy and tasteless California mish-mash. In fact, Hearst Castle may have set the gold standard for ostentatious, tasteless, and awful that all other California buildings only aspire to.

My six-year-old Nicky’s complaint was down somewhat different lines: “If this is a castle, why doesn’t it have battlements?”

The Hearst family seems to have done themselves well out of this setup. They kept 35,000 acres as a private ranch and vacation retreat, and donated to the state the expensive to maintain hundred acres that the castle building sits on. Off-loading the expensive maintainence headache to the taxpayers was very slick, and it seems that as part of the deal they got sentimental tributes to the Hearst family greatness in the required film, with violin music in the background. The material does recount a bit about the great Comstock silver lode, but there is an absence of information about the (apparently hereditary) family fondness for showgirls, and no mention at all of Patty Hearst.

By the way, this isn’t a cheap place to visit. The basic tour for one adult, a six year old, and a ten year old cost $40.00.

On the crammed bus ride up the hill, along with the prohibition on flash, the recording tells one that it is OK to take photos for personal use, but they can’t be published except with written permission. This seems really unreasonable for a facility that is supported with public money, and mostly about keeping a monopoly on tourist tchatkes.

So here and now, Hearst Castle people, I’ve published these photos in my blog. I don’t have permission. Come and get me.