Archive for the ‘Flickr’ Category

Turquoise’s Mosaics

Saturday, April 14th, 2007

My Flickr friend Turquoise Bleue creates marvelous mosaics using her favorite Flickr images. Sometimes the Turquoise mosaics include my photos (I am always flattered). Floral imagery seems to predominate.

Turquoise’s mosaics illustrate a number of my favorite things about online photography communities like Flickr:

  • Turquoise is a true friend of mine, but it is unlikely I will ever meet her outside the virtual world (for what it is worth, she lives in France).
  • Flickr makes a vast and eclectic collection of images available to everyone.
  • The Flickr software and community encourage “mash-ups”: combining imagery to create another image that might be greater than the sum of its parts like Turquoise’s mosaics.

White Mallow

Saturday, June 3rd, 2006

I was caught up in photographing the spiral deep inside a pink mallow. Then I looked up and noticed this white mallow nearby. I took the extension tube and close-up filter off my 200mm macro lens, and exposed a couple of further-back versions of the white flower.

I like the luminous quality of the sun coming through the flower.

You can see the pink mallow peeking around at the upper left.

Flickr’s Best of My Best

Tuesday, December 20th, 2005

Death Valley Sunrise 2

View this photo larger. This Death Valley landscape was originally featured here.

Regular readers (or should I say “viewers”) of my Photoblog 2.0 likely know that I use Flickr for my image management. This means that after I’ve post-processed my photos in Photoshop I save off a high quality Jpeg version of each photo and upload it to Flickr (see Post-Processing a Photo for Flickr for more info).

Flickr then hosts my photos in all sizes I might want, and provides an easy mechanism for me to post a photo and story to my blog. Each photo in Flickr comes with a Blog This link. Provided you have configured Flickr to “speak with” your blog, you are one click away from blogging any photo.

Somewhat to my surprise, other parts of my blog have essentially been outsourced to Flickr. Flickr’s tagging facility is an excellent way to help keep track of my photos, and I use it rather than tagging photos within Adobe’s Bridge. More significantly, most of my dialog with you (people who view my photos and read my blog, that is!) takes place within Flickr (rather than on my blog). It’s really great to be able to dialog with people who view my photos, and it is great to be able to use Flickr’s community and sharing features to facilitate this. Combining my photo blog with Flickr has created a far greater pool of interest for me than I ever would have been able to generate just using the blog.

Flickr’s photo community has also become significant to me, as a world inhabited (for the most part) by talented, gracious photographers who are truly interested in sharing. What a gift! This is the community I always looked for as a professional photographer, but never found–because photographer were more interested in “getting ahead” than in helping others.

Flickr also provides a clarifying mechanism for quality photography. As the old saw goes, “cream rises to the top.” There are a number of objective measures of this “photographic cream” on Flickr:

  • How many times a photo has been viewed
  • How often a Flickr member “favorites” a photo
  • The number of comments a photo receives
  • The Interestingness of a photo, a secret formula that Flickr uses to rank photos (read more about this)

All these measures are temporal. Meaning that a photo (hopefully) gets more views, comments, etc., over time. And that (as a relative matter) other photos get better ratings as well. So the Flickr clarifying mechanisms as a way of comparing photos are not static.

A more significant drawback is that Flickr ranking is essentially a democratic mechanism. But being an “artist” (whatever that means) is not a democratic state. Flickr can show me what photos of mine are popular, but it is no substitute for my own judgement of quality of my own work. I can slip something by on Flickr, but will I really be happy if I know I’ve cut corners? (Of course not.) Flickr is an exercise in populism at its best, but great art (and great photography) is not.

These caveats aside, this blog entry presents my top three photos on Flickr at this point in time. The two landscapes are on top using all four measures while the rose photo (being more recent) trails in number of views, but is third in the other three categories.

By the way, these photos are approaching 500 views and 50 comments each. By Flickr standards, they are still light weights. For example, there is a Flickr group devoted to photos with 1,000 views that have been favorited 100 times each.

This photo of reflections in Lake Tenaya in the Sierras was orginally shown in this blog entry.

Lake Tenaya Reflections

View this photo larger.

The rose was originally featured here.

Rose Spiral

View this photo larger.

Patterns

Monday, November 21st, 2005

This is a re-post of an earlier blog story, with bromeliads added!

Bromeliads, toy slinkies, a single dandelion bud, irises, desert landscapes, and some of my photos on Flickr

slinkies

Dandies

Iris

Quilties

Meta Flickr

Patterns

Tuesday, October 25th, 2005


Slinkies, photo by Harold Davis.

Toy slinkies, a single dandelion bud, irises, desert landscapes, and some of my photos on Flickr

Dandies

Iris

Quilties

Meta Flickr

Processing a Photo for Flickr

Thursday, October 13th, 2005

On my trip, I left Yosemite Valley and drove across Tioga Pass. (I’ll write more about this segment of my journey in another blog entry.)

I stopped at the west end of Lake Tenaya for a little down time in the sun (would you believe I was going to read a copy of the New York Times I had picked up in the Valley?) and encountered the wonderful reflection, enhanced a bit with my polarizer.

I’ve been asked a number of times rcently how I process my photos before I upload them to flickr. So I thought I’d write about what I do.

It takes me roughly an hour an image. Often, this is more time than it took to take the photo — more evidence to me that digital photography is a cyborg, one part photographer and one part computer.

There’s nothing that says that you have to do anything so elaborate. For the most part, a Jpeg image straight from your camera will look OK. (But you should know that the Jpeg format automatically sharpens and adjusts the color and contrast balance of images — something that a good human operator can probably do better.)

Here’s how I processed this image (and most of my photos) for display on flickr. (As you may know, I use flickr as the image management software behind this photoblog.)

First, I have my camera set to capture all photos in RAW and Jpeg formats. The RAW version — which is unoptimized but provides all the information from the original capture — is what I’ll use, because I do a better job of finishing a photo than the Jpeg algorithm.

But it is useful to have an initial Jpeg capture because this will tell you (at least most of the time) what the finished image will look like a little better than the RAW version.

I use Adobe Bridge software to scan images to see what came out well enough to bother with. As I said, mostly the Jpeg version gives one a better quick impression of a photo than the RAW version.

You can use the Bridge to tag (and later on filter) photos for quality as a kind of sorting system, but I usually don’t bother with this. Instead, I jot down on a pad of paper the images I am interested in working with further.

Once I’ve settled on an image for further work, I open it in Adobe Photoshop. (Note: I use Photoshop, but for everything I describe in this entry you could use the far less expensive Photoshop Elements with almost exactly the same effect.)

When you open the RAW image in Photoshop (or Photoshop Elements), you can make many adjustments. (See my earlier entry for more information about opening RAW images in Photoshop CS2, and a related piece about processing digital photos.)

Generally, and this is based on my personal preferences, I tend to make the color in my photos more dramatic before I open them by upping the color temperature, tint, and saturation.

I also go for a more dramatic effect by upping shadows and contrast, and compensate by also upping brightness and the exposure.

But all photo conversion effects when converting the RAW image need to be monitored sensitively. It is easy to go too far.

It’s useful to know that once you get the RAW conversion right for one photo in a set (taken in the same light conditions), you can use the same settings for the rest of the photos — by telling Photoshop to use the previous conversion rather than the camera defaults, or by selecting a previously converted image to use as the model for the conversion.

Once the converted image opens in Photoshop, the first thing you want to do is save it off as a PSD file (Photoshop’s native format). You want to be sure to do this so that the original file is never touched by your manipulations.

Next, if the image is to be cropped, use the Photoshop Crop Tool to crop it.

The next step is to adjust the image levels by choosing Image > Adjustments > Levels. The idea here is to manually adjust the histograms represnting the R, G, and B levels to eliminate color outliers that either show spikes in the given primary color, or do not show any color at all. Here’s the Red level pushed in to eliminate the spikes at both ends (you’d also push the ends in if no color at all were shown at the ends):

You need to be a little careful with this. If adjusting the level for a given RGB primary color makes the image less pleasing, then you should also tweak the color using the slider shown in the center of the Levels dialog.

Once I’m satisified with my manual adjustment of levels, I generally put the image through Image > Adjustments > Auto Levels. If I’ve down everything right, this doesn’t have too much impact, but does kind of smooth things out. I also try Image > Adjustments > Auto Contrast and Image > Adjustments > Auto Color to see what they do. But be careful: more often than not Auto Color produces a lousy effect, and I have to undo it.

Next, I work on detail areas of the photo (if there are any). This usually means removing imperfections and artifacts with the Clone Stamp Tool and/or slightly adjusting the color in specific selected image areas using the Selective Color dialog (Image > Adjustments > Selective Color).

The photo is now almost there, but needs to be sharpened. To do this, first I apply the Unsharp Mask (Filters > Sharpen > Unsharp Mask). I sharpen it somewhere between 50% and 70% with the radius set low (between 1 and 2 pixels). Then I use the Smart Sharpen filter (Filters > Sharpen > Smart Sharpen), shown here:

I don’t use Smart Sharpen at a high percentage - no more than 30%. And I watch the impact of the radius setting carefully. The higher the number of pixels used in the radius setting, the more apparent sharpness. But setting the radius high — above 5 pixels — actually causes information to be lost, and can lead to a sort of weird fuzzy-but-sharp look. So you need to be careful with this.

When you are happy with it, save the image in its PSD format. It’s now ready to be archived, and you can used the PSD version if you ever want to make a print or reproduce the photo via Photoshop.

To make a version for flickr, save it as a Jpeg using the highest possible resolution.

Next, upload it to flickr. I use the Flickr Uploadr, a bit of software that you download from flickr. But be somewhat warned: this software is officially beta, and sometimes acts like it! It’s nice that you can upload multiple images at the same time with it.

People use flickr for many reasons. For example, my primary use of flickr is for image management. But I’m also happy to be part of the wonderful flickr community. As part of the community, once your photos have been uploaded to flickr, you should tag them, organize them into “Sets,” and add them to flickr Groups to share them with others. Two good flickr groups for this purpose are 1-2-3 and Macro-1-2-3.

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Flowr Pie

Monday, September 12th, 2005


flowr pie, photo by Harold Davis.

Phyllis and I created this flowr pie using flowers (not flour) from our garden to enter in a flickr virtual pie contest.

Katrina Relief Auction on Flickr

Friday, September 2nd, 2005

Those of us living with our families in the Bay area realize that the disaster could have been ours. I’m not posting any photos in this entry. Instead, I want to note that the Katrina Relief Group on Flickr is having some success raising money for the victims by auctioning prints by Flickr photographers. Funds raised will benefit the American Red Cross emergency fund set up for hurricane Katrina victims.

Here’s the link to my specific auction on Flickr (you can bid on a print of any of my photos that I’ve posted on Flickr or that have appeared in this blog).

You can read about the auction in the official Flickr blog, and also donate directly via the American Red Cross.

Flickr Flowr Badge

Wednesday, June 22nd, 2005

A Flickr Badge is a way Flickr lets you display groups of photos on your web pages. This is an HTML Flickr badge that displays random photos from my Flowers set on Flickr. (Click here for Blake Garden blog items, and here for the Flowers blog category.) If you refresh your browser, you will see different images in the badge.

Besides HTML badges, Flickr Badges come in a Flash variety. You can see one (actually, four) here. I haven’t got the Flash badges to work yet within WordPress because of some complications regarding JavaScript within WordPress’s PHP content pages, but when I do get the JavaScript/Flash to work in WordPress I will blog it for your edification.

Within Flickr, to create a badge, you start by choosing HTML or Flash. Next, you decide the source of the photos. The choices are: all your photos, all your photos with a specific tag, a public set of your photos, a group pool of photos, or everyone’s photos. If you are creating an HTML badge, you can decide to show most recent photos, or random photos. With the HTML badge, you choose the number of photos to display, the size, and the orientation (horizontal or vertical).

With either a Flash or an HTML badge, you choose the color scheme, and the code is generated for you. Copy and paste it into your web page (unless it is a Flash badge and WordPress), and you are done! Way cool.

Flickr Art

Wednesday, May 25th, 2005


This Bridge Is Tops, originally uploaded by Harold Davis.

This is a Flickr collage - perhaps a new art form!

Tools: Flickr, Flickr API, OberKampf, Snag-It (a screen capture utility), Photoshop, and Flickr.

First I made the strip of four images, using images posted to Flickr (you can see the strip of four on this page). The strip was made with OberKampf, a Flickr API PHP library of funtions.

To get the strip like it is, I had to copy and flip the Golden Gate Bridge image (Photoshop) so that it could appear twice, once reversed.

Next, with the strip appearing on the page, I used Snag-It to capture the four frames to a .Tif file. The capture was reworked in Photoshop to bring tonality down and to create the transition between the third and fourth frames.

Finally, I reposted the collage to Flickr (and added it to the Tweaked group).

Meta Flickr

Thursday, May 12th, 2005


Meta Flickr, originally uploaded by Harold Davis.

I never met a flickr I didn’t like…one’s reach should be bigger than one’s grasp, or else what is a meta for?

[Screen capture of a Flickr collage]