Category Archives: Flowers

Sweet Pea after O’Keeffe

After seeing some of my photos mistaken for O’Keeffe’s luscious flower paintings, I took another look at the wondrous botanical art of Georgia O’Keeffe. The sensuous, indeed sexual, nature of the O’Keeffe portrayal of flowers is a pretty obvious characteristic of her paintings.

Flowering Sweet Pea © Harold Davis

Flowering Sweet Pea © Harold Davis

What wasn’t clear to me until I took this further look was the extent to which O’Keeffe plays with magnification and scale. Essentially O’Keeffe is often painting extreme macro compositions, although they do not always seem that way to the viewer because of how they have been magnified and sometimes distorted. In its own way, this is a very photographic approach to painting, as I like to think I approach photography in a painterly way.

Click here to see some of O’Keeffe’s sweet pea paintings (opens Google images in a separate tab/window).

Also posted in Photography

Dogwood & Friends

A Matilija Poppy pokes out in the middle of a covert of flowering dogwood, cosmos, old-fashioned roses, echinacea, and climbing mallows. Enjoy!

Flowering Dogwood & Friends © Harold Davis

Flowering Dogwood & Friends © Harold Davis

Photographed straight down on my light box for transparency, and captured using my Zeiss 100mm macro lens, five exposures each at f/22 and ISO 64, exposure times from 1/5 of a second to 3 seconds; tripod mounted; exposures processed and combined in Nik HDR Efex Pro, Adobe Camera Raw, and Photoshop, with finishing touches added using Photoshop, Nik Color Efex Pro, Topaz Adjust, Topaz Simplify, Topaz Impression, and Nik Viveza.

Also posted in Photography

Floral Fantasies

These floral fantasies are created and photographed as collages on the light box, then processing in Adobe Camera Raw, Photoshop, Nik, Topaz, and using LAB color adjustments. What fun!

Bright As a Summer's Day © Harold Davis

Bright As a Summer’s Day © Harold Davis

Photographed with my Zeiss Otus 85mm at f/16 and ISO 64 in two panels, each panel with eight exposures ranging from 1/15 of a second to 15 seconds. First I combine the captures in each panel using the techniques explained in my Photographing Flowers for Transparency FAQ. Then I use Photoshop to combine the left and right sides of this floral panorama, for an extremely high resolution file.

Shadow of the Solarized Moon © Harold Davis

Shadow of the Solarized Moon © Harold Davis

The workflow for processing these images is laborious but a great deal of fun. Learn more via my books, my online webinar recordings, or in a Harold Davis workshop (there are only a few spaces left in my Flower workshop in Maine this August).

Flowers Will Reach the Black Empire © Harold Davis

Flowers Will Reach the Black Empire © Harold Davis

 

Also posted in Photography

Mallow

Like Clematis this is a single blossom, photographed on a light box, inverted to black in LAB, and then converted to monochrome using a virtual Infrared filter. The steps are shown here in inverted order (last is first, and first is last).

Mallow in IR © Harold Davis

Mallow in IR © Harold Davis

Mallow on Black © Harold Davis

Mallow on Black © Harold Davis

Mallow on White © Harold Davis

Mallow on White © Harold Davis

Post-production is so much part of my photographic art that I felt desolated when my production machine gave up the ghost last week. Admittedly, I’ve lived with it for many years, and made it mine. But it has taken me quite some time to get my new computer configured the way I like it—probably worth it, as it is up to handling the enormous files and sizes that I find myself often editing deploying.

Also posted in Monochrome, Photography

Floral Square

Last week when I have a composition on my light box I photographed it with a high resolution camera on tripod. Then I thought, why not do it using my iPhone as well. The results photographed and processed on my iPhone are shown here.

Floral square © Harold Davis

Floral square © Harold Davis

Also posted in iPhone

A Short Course in Translucency

Images that verge on the transparent and convey translucency can appear miraculous. If you want to learn my techniques for photographing flowers for transparency on a light box, but can’t attend an in-person workshop with me on the topic, please consider my sequence of informal webinar recordings.

Painting in Transparency Using a High-Key Layer Stack explains the photographic strategy and post-production (click here to register, and click here for more info).

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Creative Use of LAB Color shows some of the techniques I use to add color effects, to invert the backgrounds from white to black, and more (click here to register, and click here for more info).

01-title-LAB

Using Backgrounds and Textures explains many of the techniques I use to create finished artwork from translucent images (click here to register, and click here for more info) by placing a translucent image on a background, or adding a texture file “above” the image.

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Finally, if you are having a little trouble around working with layers in Photoshop, Photoshop Layers 101 may be for you (click here to register, and click here for more info) as I guide you and explain how I work with layers in Photoshop. It is really a great deal simpler than you may think!

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Each webinar recording costs $19.95 for unlimited access. Please click here for more information about my webinar recordings.

If you are unfamiliar with my techniques, my FAQ explaining Photographing Flowers for Transparency is a good place to start.

Translucency of Rosa © Harold Davis

Translucency of Rosa © Harold Davis

Also posted in Photoshop Techniques, Workshops

Essays in Translucency

Translucency of Rosa © Harold Davis

Translucency of Rosa © Harold Davis

Practicum Perluciditatem © Harold Davis

Practicum Perluciditatem © Harold Davis

Miraculum Flores © Harold Davis

Miraculum Flores © Harold Davis

Veil of Roses © Harold Davis

Veil of Roses © Harold Davis

Clematis © Harold Davis

Clematis © Harold Davis

Related stories: The Virtues of Translucency; Clematis; Miraculum Flores.

Also posted in Photography

Miraculum Flores

Flowers are a miracle! This is a spring in Berkeley, California that is wondrous in terms of blossoms, and I have been enjoying it and photographing up a floral storm, almost entirely with flowers Phyllis and I harvest in the neighborhood. The top image is an LAB L-channel inversion, and the middle image is simulated black and white infrared (“ultrarubrum” in Latin)—both images derived in post-production from the “straight” light box image at the bottom. More on these techniques in this earlier sequence of images of a lone Clematis, and more floral imagery to come when I have time to develop and process it.

Miraculum Nigrae Flores © Harold Davis

Miraculum Nigrae Flores © Harold Davis

Miraculum Nigrae Flores Ultrarubrum © Harold Davis

Miraculum Nigrae Flores Ultrarubrum © Harold Davis

Miraculum Flores © Harold Davis

Miraculum Flores © Harold Davis

Also posted in Photography, Photoshop Techniques

Clematis

To photograph this Clematis Bee’s Jubilee blossom, I placed it on a light box and photographed it straight down using a tripod with a Nikon D810 and my special Zeiss Otus 55mm f1.4 lens. The settings were 1/4 of a second at f/16 and ISO 64 (middle image). The top image is an LAB inversion of the L-channel, and the bottom version is simulated infrared (IR), via Nik Color Efex Pro.

Clematis on Black  © Harold Davis

Clematis on Black © Harold Davis

Clematis © Harold Davis

Clematis © Harold Davis

Clematis in IR  © Harold Davis

Clematis in IR © Harold Davis

There seems to be some controversy about where to apostrophate  (where to place the possessive apostrophe) in Clematis Bee’s Jubilee. Well-known horticultural nursery White Flower Farm does it Bees’ Jubilee, which of course implies that this flower is the jubilee of multitudinous bees or of someone named Mr. Bees. However, the plural apostrophization may be incorrect, as this striking flowering Clematis seems to be named after the botanist Rupert Bee (spelled without a trailing ‘s’) of Colchester in the United Kingdom, who first introduced this cultivar in the 1950s.

Related story: We are not afraid of color.

Also posted in Photography, Photoshop Techniques

The Virtues of Translucency

Normally, to create the illusion of transparency against a single background is feat enough. In this image I “upped the ante,” by adding white roses above an existing floral arrangement that was already translucent. The second layer of roses makes an additional level of transparency: you can see through the white roses, as if they were a veil, and to the flowers below, which themselves only partially conceal the white backdrop.

Veil of Roses © Harold Davis

Veil of Roses © Harold Davis

One of the tricks with an image like this is to end up with something that looks painterly and elegant, not smudgy. If you try it for yourself, you may find that this is tougher that you might think!

Also posted in Photography

Flora Exhibit at Photo Oakland

Welcome the summer with PHOTO’s beautiful and curious new collection of plant imagery! The exhibition will run May 14 – June 20, 2015. I’ll have a few pieces of my botanical art in this exhibition. Please consider joining me at the artist’s reception on Thursday, May 21, 2015, 6PM – 8PM. Here’s more information about the exhibition.

Papaver Somniferum and Friends © Harold Davis

Papaver Somniferum and Friends © Harold Davis

Exhibition: May 14 – June 20, 2015

Reception: Thursday, May 21, 2015, 6PM – 8PM

PHOTO Fine Art Photography

473 25th Street, Oakland, CA 94612

info@photogalleryoakland.com

For further details: www.photogalleryoakland.com/exhibition/flora-show/

Tulip Pano © Harold Davis

Tulip Pano © Harold Davis

Flowers at a Restaurant

I photographed these orchids through translucent etched glass at the handsome Murray Circle Restaurant at the Cavallo Point Inn, part of Fort Baker in Sausalito, California. The location is right across the Golden Gate Bridge from San Francisco. If you are interested, you can read my review of the restaurant on Trip Advisor (opens in a new window).

Flowers at a Restaurant © Harold Davis

Flowers at a Restaurant © Harold Davis

Photographed using my iPhone camera app, and processed in Waterlogue.

Also posted in iPhone, Photography

We are not afraid of color

I photographed these flowers on my light box using the bright and sharp Zeiss Otus 85mm lens, then created a number of variations in Photoshop. The colors in flowers give me a palette to experiment with saturation and contrast, and I herewith proclaim: Bring it on! I love color!

We are not afraid of color © Harold Davis

We are not afraid of color © Harold Davis

Patterns in the Zeitgeist © Harold Davis

Patterns in the Zeitgeist © Harold Davis

Flowers are the jungle © Harold Davis

Flowers are the jungle © Harold Davis

Beyond the blue light  © Harold Davis

Beyond the blue light © Harold Davis

Solarized Flowers © Harold Davis

Solarized Flowers © Harold Davis

If you are interested in my flower photography techniques both in the camera and in post-production, there are still a few spots left in my Creative Flower Photography workshop at Maine Media in Rockport, Maine this coming August (2015). This is a five-day workshop that will cover light box photography, creative field flower photography, and Photoshop techniques.

Related story: An Amazing Amalgamation of Anemones.

Also posted in Photography, Photoshop Techniques, Workshops

Tulips in a Glass Vase

To make this image, I placed the vase of tulips on a mirror, and lit the vase and flowers from behind with a standing light box. This is the same setup and technique I used in the images shown in HDR is technique, not style. You can see the setup and get an idea about the processing from the spread on pages 128-131 of Creating HDR Photos.

Tulips in a Glass Vase © Harold Davis

Tulips in a Glass Vase © Harold Davis

I also experimented with a simulated, virtual solarization of the image, converted to black & white, shown below.

Tulips in a Glass Vase - Solarized © Harold Davis

Tulips in a Glass Vase – Solarized © Harold Davis

Also posted in Photography

Echinacea

Last year I bought an Echinacea and planted it in a pot on the porch, assuming it would essentially be an annual. Somewhat to my surprise, it has come back strongly for a second year in its pot. We water it with recycled water—such as unfinished water bottles started by the kids. The young flowers are translucent and striated, like the day-old blossom shown. As the flowers mature, the petals become opaque, and a mono-colored shade of pink magenta.

 

Echinacia © Harold Davis

Echinacia © Harold Davis

Also posted in Photography