Kate Rose is pleased with herself these days, as she ought to be. She’s enjoying walking—holding onto an adult hand—and trying on hats. It’s fun to watch her joy in life.

Briefly noted: A series of LAB color inversions turns the mask blue and the masked model a variety of exotic colors.

It’s amazing how putting on a mask can let someone show their real feelings. This model was clearly pretty disengaged and bored with the shoot. Maybe she was thinking about what she was going to have for dinner, cleaning out her closet, her next visit to her family. I don’t know.

Then I ask her to hold the domino mask to her face. All of a sudden the look changes. She is Seven of Nine from the Star Trek series. I think maybe she wants to kick my butt. I like the new look.

Before planted, I pruned this Ranunculus blossom, placed it in a thin vase, and surrounded the vase with black velvet. I used a special low tripod so I could get right in front of the flower with my macro lens; the image you see is the result of combining eight exposures.

Originally, this was a pretty typical studio shot of Christianna. I shot this model on a white seamless background using studio lighting with the boys from San Jose.

In Photoshop, I converted the image to the LAB color space. Next, I inverted the L channel. This turned the white background black, Christianna’s dark hair mostly white, her black underwear white, and so on.

I think the overall effect is somewhat dramatic and ghostly, and I plan to try it again.

Hiking down to Tennessee Beach with Mark we came across this wild turkey.

It’s the time of year for turkeys to strut their manly stuff. This dude was inflating and puffing out his feathers, totally showing off for the three nearby females.

The gals for their part were doing their best to pretend to ignore him. I could see, however, an occassional glance at him when one of them thought he wasn’t looking.

The whole scene was palpably human with its affectations of cool and dance of interest/disinterest. After witnessing this I may have to go for Tofurky come Thanksgiving.

Exposure data: 200mm, 1/250 of a second at f/8 and ISO 200, hand held.

My Mom came back from giving a workshop in Guatemala. Late last night found me at SFO to pick her up.

Waiting. The plane was late. Next, the wait for luggage. Not Godot, luggage.

I was bored so I snapped this distorted photo of the carousel using my Lensbaby Composer with the fisheye optic, at 1/15 of second using the f/5.6 aperture ring and ISO 100, hand held. Waiting for luggage, or Godot—whichever comes first—with a fisheye lens.

For a preview of my upcoming Creative Black & White: Digital Photography Tips & Techniques check out Converting to Black & White, the most recent column in my Creativity in the Photoshop Darkroom series on Photo.net.

About this image: This is an HDR capture, created using combined exposures in Photomatix, and converted to monochromatic. There were six original exposures at 12mm, shutter speeds from 1/250 of a second to 1/25 of a second, each exposure at f/14 and ISO 100, tripod mounted.

My idea with this black and white HDR image of an old courtyard in Havana, Cuba was to challenge the usual assumptions about framing an architectural photo. When you realize that the camera was positioned at the bottom of a courtyard, it’s easy to see you are looking up at the sky. However, at a glance the nearly square patch of sky and cloud could also be a framed work of art on the wall.

As I’ve noted, converting your Photomatix HDR to black and white means never having to apologize again for garish colors.

This is another Lensbaby fisheye. I put the camera on tripod up very close to the magnolia tree and used the f/22 aperture ring. I intentionally overexposed to create a high-key effect.

In post-processing I used FocalPoint from onOne Software, a Photoshop plugin, to give the image a sense of focus in the middle and to help blur the edges. Then I partially desaturated the image using the High Structure filter in Nik Silver Efex Pro. My goal was to get the image looking almost like old-fashioned needlepoint.

This is a close-up fisheye of my Leucospermum Scarlet Ribbons. I photographed the flower with the Lensbaby Composer and the new Fisheye Optic.

The image you see is a hand-HDR composite of five exposures, all at ISO 100 on tripod. Each exposure used the f/22 aperture ring. Exposure time ranged from 1/4 of a second to 1/30 of second.