Archive for the ‘Photography’ Category

Old Bodie Church

Saturday, August 23rd, 2008

Old Bodie Church

Old Bodie Church, photo by Harold Davis. View this image larger.

The south face of this old church in Bodie was primarily lit by moonlight. As I’ve noted, you get the most circular star trails when the camera is pointed north, so I was glad to see the Big Dipper pointing at Polaris over the wooden steeple.

During this approximately eighteen minute exposure, I “painted” the interior of the church using a small flashlight. To do this I walked round and round the building, careful never to stop the light in one place, pointing my light at the side and rear windows.

[Nikon D300, 12-24 Zoom lens at 12mm (18mm in 35mm terms), 1,083 seconds at f/16 and ISO 100, tripod mounted.]

Nicky with Face Painting

Friday, August 22nd, 2008

Nicky with Face Painting

Nicky with Face Painting, photo by Harold Davis.

Nicky came home from camp at Berkeley Montessori with this cute face painting of a mouse, and I couldn’t resist photographing his tribal markings for posterity.

To make the colors appear more saturated, and to visually separate Nicky’s head from the background of the photo, I intentionally “under exposed” this capture. When I processed the image in Photoshop, I started with a “normal” (dark) rendering, then layered successively lighter versions on top. This allowed me to keep parts of the photo dark (the background and Nicky’s shirt), other parts saturated (the face painting) while controlling which areas got brighter (Nicky’s eyes and hair).

[Nikon D300, 18-200mm VR zoom lens at 95mm (142.5mm in 35mm terms), 1/160 of a seoncd at f/8 and ISO 500, handheld using image stabilization.]

Standard Mill at Bodie

Friday, August 22nd, 2008

Standard Mill at Bodie

Standard Mill at Bodie, photo by Harold Davis. View this image larger.

The Standard Mill at Bodie (shown here reflected in an old window) was used to process the gold and silver ore from the mines.

The rather harsh side lighting on a seasonal water slough and the mill itself is from the full moon.

[Nikon D300, 18-200mm VR zoom lens at 26mm (39mm in 35mm terms), two exposures (one at approximately 240 seconds, or three minutes, the other at approximately 480 seconds, or six minutes), both exposures at f/8 and ISO 100, tripod mounted.]

Window on Bodie

Friday, August 22nd, 2008

Window, Bodie

Window, Bodie, photo by Harold Davis. View this image larger.

This is a photograph of reflections (mostly of the old Standard Mill) in a window of the Bodie ghost town. My intent was to render a painterly, and almost abstract, image—grounded with the concrete frame of the window.

I was in Bodie with the rare privilege of photographing at night, thanks to the graciousness of Lance Keimig and his Finding Your Way in the Dark workshop. Night or day, there’s plenty to photograph in Bodie.

[Nikon D300, 105mm f.2.8 Nikkor macro lens (157.5mm in 35mm terms), 1/2 of a second at f/32 and ISO 100, tripod mounted.]

Tioga Pass Road at Night

Thursday, August 21st, 2008

Tioga Pass Road at Night

Tioga Pass Road at Night, photo by Harold Davis. View this image larger.

Tioga Pass is the highest car crossing of the High Sierra. I always find the view down towards Owens Valley, Mono Lake, and the high desert awe inspiring.

For this photo, I stopped at one of the first overlooks. The moon was brightly lighting the far side of the canyon, but where I stood the defile was in deep shadow.

[Nikon D300, 12-24mm zoom lens at 14mm (21mm in 35mm terms), 2 minutes (120 seconds) at f/5.6 and ISO 100, tripod mounted.]

Lembert Dome Sunset

Wednesday, August 20th, 2008

Lembert Dome Sunset

Lembert Dome Sunset, photo by Harold Davis. View this image larger.

Briefly noted: As it got darker, I continued to photograph sunset from Lembert Dome. I think the top of the dome adds to the composition in this version.

[Nikon D300, 12-24mm zoom lens at 14mm (21mm in 35mm terms), two exposures (5 seconds and 13 seconds), both exposures at f/8 and ISO 100, tripod mounted.]

Tuolumne Sunset

Tuesday, August 19th, 2008

Tuolumne Sunset

Tuolumne Sunset, photo by Harold Davis. View this image larger.

Briefly noted: this is a sunset view from the top of Lembert Dome over Tuolumne Meadows towards the Grand Canyon of the Tuolomne.

[Nikon D300, 18-200 VR zoom lens at 26mm (38mm in 35mm terms), 1/15 of a second at f/8 and ISO 100, tripod mounted.]

Sierra View

Monday, August 18th, 2008

Sierra View

Sierra View, photo by Harold Davis. View this image larger.

On my way across the Tioga Pass road I stopped at Olmstead Point. I made my way out a few hundred yards, and distanced myself from the road, parking lot, and people. Then I laid my head on a rock pillow and watched the clouds hurry past.

After a while, I got up refreshed and pulled out my camera and tripod. Facing Lake Tenaya, Polly Dome, and Pywjack Dome in the distance, I created this image consisting of five separate captures.

[Nikon D300, 12-24mm zoom lens at 16mm (24mm in 35mm terms), five exposures (1/320 of a second, 1/250 of a second, 1/160 of a second, 1/100 of a second, 1/60 of a second), all exposures at f/22 and ISO 100, tripod mounted.]

Fresco Flower

Monday, August 18th, 2008

[Note: this is a reposting of a story originally published in August 2005.]

I thought this photo looked like a painting when I took it, and I did my best to accentuate the effect in post-production processing.

First I applied Photoshop’s Fresco filter, then the Film Grain filter. After I cleaned the image up, I cloned some of the detail in the heart of the flower back in from the orignal image (proving, which I didn’t know before I tried, that you can use the Clone Tool between images, not just intra-image).

Check out some more of my recent flower pix (all post-processed in Photoshop, different manipulations and level of work involved):

Red Flowr

Dancing yellow flower

Bee

Rio Samba Rose Bud

Star of a Hollyhock

A Walk on the Wild Side

Friday, August 15th, 2008

[Note: this is a reposting of a story originally published in July 2005.]

Thousand Islands Lake

© Harold Davis - Thousand Islands Lake, Ansel Adams Wilderness, July 2, 2005

About a week ago I organized a solo hiking trip to the Ansel Adams Wilderness. The Ansel Adams Wilderness is administratively part of Inyo National Forest, and lies just south of Yosemite National Park in the high Sierra. It’s accessible to hikers from the eastern slope of the Sierra Nevada Mountains off Route 395, which runs past Mono Lake and through Owens Valley. Here’s the general area in question shown as a Google Satellite image. My goal was to go camp beside Thousand Islands Lake, where I’d spent some time thirty years or so ago in my backpacking glory years. The lake is nestled under Banner Peak and Mount Ritter. I thought it would make good photographic material for the digital equipment I’ve been playing with lately. It’s spectacular country, and there are many islands in Thousand Islands Lake, although probably not one thousand of them. (You’d hardly know there were any from the picture above with the lake mostly under snow.)

I had about a day to make my preparations. I finished up Chapter 9 of the book about Google I am working on, and swung into gear. It had been a while since I had been backpacking, so I needed to remember what stuff to bring, to shop for food, load a backpack and make sure I could carry it, and get a wilderness permit.

The wilderness permit part of it was easy. I called the reservation number at Inyo National Forest, and for $5.00 on my Visa card got a wilderness permit which would be left for me in the night drop box at the Mono Lake Visitors Center in Lee Vining. Lee Vining is on the eastern side of Tioga Pass. The pass had opened a few days before following one of the heaviest snow years in recorded history in the Sierras.

As I chatted with the reservations ranger, he told me that there was lots of snow (I knew that already), and that I probably wouldn’t see too many people or mosquitos on my trip. I said both of these were good things. He also told me I needed to carry my food in an approved bear-resistant container. These bear canisters are made of molded plastic and use screws that you turn with a coin (or back of a spoon) to make it difficult for a bear to get inside. Personally, I kind of think that if a bear can get into a car trunk, a bear can probably get into one of these things. But regulations are regulations, so I added a bear food storage thing to my list of supplies to buy at REI (Recreational Equipment).

I also wanted to figure out a way to store my digital images in the field without having to use a whole mess of memory cards, so I bought a 40 Gigabyte battery operated photo storage gadget. I’ll be writing more about digital photo field storage options in a subsequent blog entry.

After my day shopping, organizing, and preparing I loaded my food in the bear canister, and the canister, sleeping bag, tent, cameras, and so on, into my backpack, and shouldered the backpack. With my backpack, probably about forty-five pounds, and in my hiking boots, I walked to the top of Marin Ave, a pretty straight up road that goes up about 1200 feet here to the top of the Berkeley hills. I was sweating, but I could do it! I felt good. I though to myself, “I may be fifty-something, but I’m fit - and you’d never know it!”

Wednesday morning early I left the three boys and Phyllis, drove out through the Bay area sprawl, across the central valley via Oakdale and Manteca, and onto the North Yosemite highway at China Camp. From there, after passing the park entrance station at Crane Flat, I turned onto the spectacular road that goes up to Tulomne Meadows and Tioga Pass.

On the other side of the mountains, in Lee Vining I picked up my wilderness permit - once I signed it my permission to hike was official! - had some dinner in a restaurant, and headed for a campground near my trailhead.

The trailhead I was going to use, Rush Creek, starts from Silver Lake at an altitude of about 7,200 feet on the June Lake loop. Grant, Silver, and June Lakes are a kind of messy resort (with a ski lift and many trailer parks) the first stop south of Lee Vining and the Tioga pass road. So I drove south for about ten miles, and then turned right towards the mountains. As I passed Grant Lake, the high rolling sage brush turned to mountain forest, rock and snowy vista.

The next morning I grabbed a massive breakfast at the Silver Lake Resort. For the record, I ate “Miner’s hash - everything but the kitchen sink.” I can’t vouch for the kitchen sink, but it certainly had eggs, ham, bacon, and potatoes. They are big on gold and silver mining and hearty eating in the tourist enclaves of the eastern Sierra.

Next, I stuffed my tent back into its sack, parked by the trailhead, and started up. Here’s a map of the area (you can click it for a larger size):

It’s amazing how easy it is to leave our everyday world and enter a completely different universe. This other universe is one where issues are simple: survival, not falling down a cliff or into a hole in the snow, being warm and dry, having enough to eat, and (if you are fifty-ish with kids) not having a stroke or heart attack alone in the wild. The wilderness is grand and majestic and magnificent - but it is utterly alien to us, and does not care in the least about us and our concerns, our well-being, or whether we live or die. Depending upon how you look at things, this is either comforting or terrifying (or both). Hikers do vanish each year in the Sierran wilderness; for example, probably no one will ever know what happened to Fred Claasen or Michael Ficery other than that they died.

Perhaps it is a good time to start making clear the mistakes I made on my journey through one of these cracks into the alternate universe that is the wilderness. First, I wasn’t really paying attention when people (such as the reservation ranger) told me about all the snow, and how empty the Sierra wilderness was this year. I also wasn’t taking the time to get adjusted to the change in altitude. I drove from sea level to above 7,000 feet in one day, and then started hiking up. No wonder I didn’t feel so good. My head was pounding, and my breathing labored. Stay tuned for one big whopper of a mistake to come (though obviously I am here to write about it).

The Rush Creek Trail goes up on a long diagonal above Silver Lake. You can look down at the normal world of people fishing on the lake:

Silver Lake

Around the bend, Rush Creek pours out of Agnew Lake - this year, a great deal of water (which might have made me stop to think):

Rush Creek Falls

The trail on its way up to Agnew Lake somewhat bizarrely crosses a cog railway twice. This railway is used by Southern California Edison, who uses the area for power generation in a modest way. Also on this first bench up, I crossed a snow field (not very hard, but a slip could have been bad news - in fact I later heard someone had been badly injured crossing this patch), and a creek crossing where the bridge had been washed out, both within two miles of the start of my hike. Obviously, I wasn’t paying very good attention. My attitude was simply “Gosh darn I can do this!” Here’s the railway:

Tramway below Agnew Lake

Right about at the second crossing of the tracks I met a hiker, my first on this trip. He was an old codger dodger - well, no older than me, but you know what I mean - carrying a day pack and his name was Billy. Billy’s hobbies were leading boy scouts from his home near Ventura into this area and helping with search and rescue operations. He knew this part of the mountains pretty well.

I told him what I was planning: to head up the cliff on the little-used trail on the south side of Agnew Lake, continue past Spooky Meadow, Clark Lake, and Summit Lake, and find the Pacific Crest and John Muir trails near Thousand Island Lakes, camp there a few days, and then head out the same way.

Billy suggested gently that I might want to reconsider. He said that in thie year of extraordinary snow the trail I was planning to take would almost certainly be under snow and probably impassable and dangerous. I should at least scout it, he said, from the other side of the lake before heading up it. Billy also suggested several longer (but less steep and dangerous) ways to get into the high country.

I can say with absolute certainty that I paid no attention to anything Billy the search and rescue codger-dodger said to me. When I got to the junction with the side trail I’d been planning to take - my trail led off to the left on the far side of the lake - I took it without looking ahead. I did notice that there was no sign marking my trail. I later learned that they didn’t post “my” trail because they wanted to discourage people from using it.

For the first part of the trip up the steep side of the lake, things seemed OK, and well steep. Here’s a picture with the trail outlined in red so you can see it:

Trail

I took the photo from the other side of the lake on my way out a few days later because I wanted to get a good look at where I had started my walk on the wild side. The first part up along the side of a steep scree field was no particular problem, although I did have to pause to take a breath frequently. When I got to the trees shown in the photo I had to start pulling myself up hand over hand, backpack and all. As I continued up the snow crossings started to get more and more difficult and scary. Some were undercut with fast running water, and I knew a collapse was possible at almost any time in these conditions of brutally hot sun and massive snow. As I’ve said, I drew the trail into the photo above. The part I drew in towards the top was the last I saw of the trail for many miles - it vanished under a snow field, and didn’t reappear. I began to wonder why I hadn’t brought proper gear for traversing snow - an ice ax, or at least crampons. Gators would have been nice, too, although more a matter of comfort than safety.

At some point when I was fairly shortly above the area shown in the photo I realized that I had lost the trail in a terrain of infinite snow and steep cliffs, and that it was probably too dangerous to go back down the way I had come.

This story is continued in Does the Wilderness Care about Me?
It concludes in There and Back Again

Sexy Angel Face

Thursday, August 14th, 2008

This is an Angel Face rose from my garden. I think it is so sexy!

Here’s another photo of the same rose bud, sexy (but in a different way):

Angel Face

[Note: this is a reposting of a story originally published in June 2005.]

Don’t Take My Kodachrome Away

Wednesday, August 13th, 2008

This photo shows photographer Jay Maisel buried in Kodachrome slides around 1980. But Kodachrome is doomed. Kodachrome, the most permanent and colorful of color films is also very expensive to process.

An 2005 New York Times article covers the story of the end of Kodachrome in Super 8 format. (Processing ceased at the end of 2007.) Kodak still makes and processes Kodachrome in 16mm and 35mm formats, but the picture is clearly flickring on the wall. Kodachrome will join all the other antique processes - tintypes, daguerotypes, cyanotypes, and so on - in the dustbin of technology history.

In the Times article, Kodak spokesperson Judy Doherty is quoted as saying that Super 8 Kodachrome fans can simply transfer their film onto digital “and achieve any kind of effect they want.”

Much as I love digital photography, this (of course) is simply not true. There are plenty of extremely cool things you can do with digital that you can’t do with film. But making your digitals imagery look like Kodachrome is not easily one of them.

Generally, it’s no good being nostalgic for the era of film anymore than it makes sense for motorists to waste over the glory days of horse transport. Digital is here to stay, and film is going away.

Meanwhile, a major battle is shaping up for the hearts and minds of digital snapshooters. Where do they print these pictures? Do they use an online service (Snapfly, Shutterfish, or Kodak), go to Costco, or buy a home printer. I think the home photo printer comes out ahead slightly just on convenience. But the real winner is digital to digital: mostly I want to put my digital photos up on Flickr and share them digitally. To heck with having these bits and pieces of papers and prints around! So yesterday! So horse and buggy. When someone finally comes up with a decent wireless photo album that synchs with services like Flickr then the companies offering photo processing and photo printers can finally die (as they ought to).

[Note: this is a reposting of a story originally published in May 2005. My opinions today may vary.]

Fog on the Headlands

Tuesday, August 12th, 2008

Fog on the Headlands

Fog on the Headlands, photo by Harold Davis. View this image larger.

The other day Mark and I climbed Slacker Ridge, and watched the early evening fog pour over Marin Headlands and through the Golden Gate. I saw the scene in black in white, although of course I shot in-camera in color. It’s always a good idea to keep one’s options open. (This story explains some of my black and white conversion process.)

The funny thing is that the intense, cold, wind-powered fog, which had all the appearance of settling in for the night, cleared a few moments later, and was gone.

Baby Face

Tuesday, August 12th, 2008

Baby Face

Baby Face, photo by Harold Davis.

Briefly noted: This is a close-up of Katie Rose’s face. It’s probably closer up than you might think, and certainly in macro territory.

I used my Nikkor 18-200 zoom lens with a Kenko 36mm extension tube, hand held, taking advantage of image stabilization. When I use this zoom lens with an extension tube, I leave the focus at one setting, and focus on my subject by position. Next, I fine tune the focus using the zoom ring to alter designated focal length—which also changes the point of focus. A little weird, but it works.

[Nikon D300, 18-200mm VR zoom lens at 120mm, 36mm extension tube, 1/15 of a second at f/5.3 and ISO 2,000, hand held using vibration reduction.]

Fourth of July Rose

Saturday, August 9th, 2008

Fourth of July Rose

Fourth of July Rose, photo by Harold Davis. View this image larger.

Briefly noted: For a special project I needed macro photos of flowers showing selective focus. I photographed this Fourth of July rose in high contrast late afternoon sunlight, with low depth-of-field and the focus on the core of the flower.

I intentionally underexposed by one EV (exposure value) so that I could get the almost ominous effect in the background, slightly out-of-focus petals. To draw attention to the center of the flower, I lightened this part of the photo with several lighter conversions brought in from camera RAW and layered in Photoshop. In post processing, I also selectively sharpened the center of the image (without sharpening the out-of-focus flower petals, which would have led to unfortunmate results).

Related stories: Gaillardia Lit from Behind, Fourth of July Rose.

[Nikon D300, Zeiss Macro 100mm f/2 ZF Makro-Planar T* Manual Focus Lens (150mm in 35mm terms), 1/640 of a second at f/4 and ISO 200, hand held.]