Archive for the ‘San Francisco Area’ Category

Point Bonita by Moonlight

Friday, December 4th, 2009

Point Bonita by Moonlight

Point Bonita by Moonlight, photo by Harold Davis. View this image larger.

By the strong light of a waxing gibbous moon I photographed the outer Marin Headlands coast, looking south towards the Point Bonita Lighthouse, the Golden Gate straits, and the lights of San Francisco’s outer sunset district.

The final image is a composite combined in Photoshop based on three exposures. All three exposures were taken with my Nikon D300 at 56mm using a tripod. The variations were 1 minute at ISO 200 for the darkest areas, 1 minute at ISO 100 for midtones, and 30 seconds at ISO 100 for highlights. I used the in-camera exposure histogram to judge the exposures because the display on the LCD of a RAW image captured in these conditions is inherently unreliable.

Ferry Building San Francisco

Saturday, July 18th, 2009

Ferry Building San Francisco

Ferry Building San Francisco, photo by Harold Davis. View this image larger.

Briefly noted: This is a fisheye view of the ceiling of the Ferry Building in San Francisco.

Some other neat ceilings: San Francisco City Hall; Marin Center; Cathedral of Light; Westfield Shopping Mall.

City Dreams

Wednesday, July 15th, 2009

City Dreams

City Dreams, photo by Harold Davis. View this image larger.

Wandering the streets of San Francisco at night with my tripod, it’s hard not to look up and wonder what people are dreaming. I was reminded of the old Doors song: “People are strange, when you’re a stranger.” To walk the night streets of a city observing is to always be the stranger.

Above: The hard edges of the shadows and lights made me wonder what drama was occuring within the lit window in this older building.

Below: After sunset as dusk faded to night, I looked up at this partially occupied modern apartment tower and saw one lamp burning.

One Lamp

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Tripods of the World, Unite!

Tuesday, July 14th, 2009

Transamerica Tower

Transamerica Tower, photo by Harold Davis. View this image larger.

Wandering around downtown San Francisco last night taking photos, my tripod and I managed a “two-fer”: we were evicted from two locations. Now, the lot of the night photographer is to get kicked out of places. I’ve been told to move on by park rangers, cops, transit police, airport security, irate private property owners, and private security guards. And for some reason my poor, innocent tripod seems to trigger the worst of this harassment. Nobody seems to care if you pull out the old point-and-shoot, but stop for a moment to expand the legs of your carbon-fiber Gitzo and you might as well have a target painted on you for every two-bit officious official.

I’ve heard all kinds of reasons, from invocations of national security in a post-9/11 world to interference with foot traffic (when there’s no one around). What’s a poor tripod to do?

The general rule of law in the United States is that you can take photos of whatever you want in public places, with a few slight exceptions for things like military bases and nuclear installations. I carry around in my camera pack an article written by attorney Bert P. Krages II, Your Rights and Remedies When Stopped or Confronted for Photography that makes this pretty clear, so I can show it to people who try and stop me from photographing in public places.

The security guards last night were having none of it. Inside the Ferry Terminal the light was great, but they made me and my tripod leave without an articulated reason anyway. On one of the bridge overpasses in Embarcadero Center, the security guard said my tripod was a “tripping hazard”—hard to see with no one around, and me off to one side. You could make a pretty good argument that both these places are public: they are open to the public all the time, and largely paid for with public money. But the private security people can pretty much do what they want, it seems.

When I got to the tram platform on Market Street (below), I was afraid I would get a third tripod eviction notice, but it didn’t happen.

Wandering around this part of San Francisco at night is an interesting experience. There’s obviously tons of wealth: glossy people, glossy buildings. But everywhere I looked I saw people sleeping in alleys and parks. It is like I wandered into the “bad” alternative universe in the Back to the Future movie in which the evil bully Biff rules everything, and the future has gone sour.

Don’t we have better things to worry about than night photographers with tripods?

So I say, tripods of the world, unite! You have nothing to lose but your shutter speeds.

Market Street Tram

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Harold Davis Workshop Updates

Tuesday, June 2nd, 2009

It was a dark and stormy night. Actually, it was a San Francisco fogbound night. I was out shooting with a guest from Finland. The fear was that the low ceiling would make photography unrealistic, but sometimes the apparently worst weather produces interesting imagery, so we heeded the siren call of the Golden Gate.

I stopped the photo shown here down to f/22 for a long exposure, and opened the shutter up for three minutes (at ISO 100).

Workshop notes follow below the photo.

Siren Call of the Golden Gate

Siren Call of the Golden Gate, photo by Harold Davis. View this image larger.

Harold Davis Workshop Notes

For your reference, here’s the link to the main Harold Davis Workshops & Appearances page (you can check for current information and new events as I schedule them) and here’s what those who’ve attended Harold Davis events have said about my digital photography teaching.

  • Friday, October 9 – Sunday, October 11, 2009: Night Photography Weekend Workshop in the historic Coastguard Boathouse near Chimney Rock, outer Point Reyes, California under the auspices of Point Reyes Field Seminars. I’m very excited that the Park Service has agreed to open the Point Reyes lighthouse specially for us on Saturday night, weather permitting. My Point Reyes night photo workshops do sell out, so I’m giving my readers advance notice. This workshop hasn’t been posted yet on the Point Reyes Field Seminars registration site, but you can register before the workshop is publicly advertised by calling 415.663.1200 extension 373.
  • Friday, September 25 – Sunday, September 27, 2009: Night Photography Weekend Workshop
    I’m excited to be giving this night photography workshop under the auspices of the Center for Photographic Arts in Carmel, California. There are some wonderful night photo shooting locations in the Carmel and Monterey area. Information and online registration is now available; you can also call 831.625.5181 for registration.
  • Saturday, July 18 and Sunday July 19, 2009: Digital Post-Processing with Harold Davis (weekend workshop) This hands-on weekend workshop explains multi-RAW processing, hand HDR, black & white in Photoshop, photo-compositing, stacking star trails, creative use of LAB color, and more. There are still some spaces available (class size is limited to 16); here’s the link for information & registration.
  • Sunday, July 12, 2009: Digital Landscape Photography Workshop Point Reyes Field Seminars,
    Point Reyes, California. This late afternoon and early evening half day workshop provides a gentle opportunity for guided shooting on Point Reyes as well as a discussion of landscape photography and digital post-processed in the context of participants own work and interests. Registration link.

Pinhole

Saturday, May 23rd, 2009

Pinhole

Pinhole, photo by Harold Davis.

I took this photo of the Golden Gate with the pinhole plate attachment that is part of the Lensbaby Composer Optic Swap System. The effective aperture was f/177 (well, a pinhole is a very little thing!), and the exposure time at ISO 200 was 6/10 of a second, tripod mounted. Here’s the color version:

Golden Gate through a Pinhole

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It’s amusing to think that I went to some trouble to turn my relatively expensive DSLR into a toy camera with literally no optics—a pinhole is just that, a hole the size of a pin. But having interesting and unusual choices to play with, like those provided by the Lensbaby Composer and its Optic Swap System, is fun and a spur to creative visual thinking.

Other recent Lensbaby Composer images: Absence of Color; Calypso Orchids; Zebra & Jaguar; Portrait of Nicky; Hello, World.

Hagiwara Japanese Tea Garden

Sunday, March 15th, 2009

Hagiwara Japanese Tea Garden

Hagiwara Japanese Tea Garden, photo by Harold Davis. View this image larger.

Julian and I fled the over-crowded California Academy of Sciences and headed over to the Hagiwara Japanese Tea Garden in Golden Gate Park, where we had tea, wandered in circles, and I spent some happy moments photographing.

Hagiwara Japanese Tea Garden

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Mission San Jose

Sunday, January 25th, 2009

Mission San Jose

Mission San Jose, photo by Harold Davis. View this image larger.

On a recent Saturday, Julian and I went to the Tech Museum in San Jose, California for the birthday party of Julian’s friend Sean.

On our way home we stopped at the Mission San Jose in Fremont, about fifteen miles away from downtown San Jose.

Mission San Jose was founded in 1797, the fourteenth of the twenty-one California missions. The mission is on the site of the town of Orisom, lived in for many generations by Ohlone Native Americans. Within a short number of years after the founding of the mission, the Ohlone who lived nearby were converted to the Spanish way of life—or were dead.

On a gray winter afternoon, the interior of the dark church was a challenge to this photographer. However, the thick adobe walls must present a dim, cool, and inviting interior during the hot months of the summer time.

Driving past endless strip malls and car dealerships from the hustle-and-bustle of modern downtown San Jose to the quiet piece of history that Mission San Jose remembers it is interesting to note how short the time is since the world moved to the beat of much slower music—and to consider, along with all the gains, what may have been lost in the rapid transition.

Related story: Mission San Juan Bautista.

Tugboats, Port Richmond

Monday, January 19th, 2009

Tugboats, Port Richmond

Tugboats, Port Richmond, photo by Harold Davis. View this image larger.

It’s well known that the California East Bay city of Richmond has serious crime problems. Less well known is the fact that it is home to a massive working port and a new national historic park that celebrates naval manufacturing during World War II.

Near the waterfront sit acres of unsold cars imported from the orient. In today’s prosaic world the fabled “riches of the orient” have been replaced with fungible vehicles that may be unsalable. At night, the vast parking lots look bizarre under mercury vapor lighting, with paper covering car hoods.

A narrow road follows the coast with the parked, imported cars behind a chain-link fence on one side and the working harbor on the other. Exploring this route the other night I came upon these tugboats and their reflections.

I made exposures at a wide range of times, but I like this relatively short four minute exposure best because it leaves the water dark and allows the colors of the reflections to stand out.

Green Artifact

Sunday, January 18th, 2009

Green Artifact

Green Artifact, photo by Harold Davis. View this image larger.

This is a photo of the Marin Fountain in Berkeley taken at sunset with my fisheye lens. I was surprised to see the lens artifact in the photo. Although I did stop the lens down all the way to f/22, in response to a number of questions, there were no filters used (I actually don’t have any filters that will fit over the complicated optics of the 10.5mm digital fisheye).

The lens artifact reminds me of a green alien fish sliding into the fountain.

Night Shift

Thursday, January 15th, 2009

Night Shift

Night Shift, photo by Harold Davis. View this image larger.

From a location with a panoramic view of the Golden Gate, I watched as day shifted to night. In this thirty second exposure, I was intrigued by the contrast between the bright moon, the car lights navigating the Headlands, and dark area in the shadows.

Start Scrolling

Wednesday, January 14th, 2009
Golden Gate Panorama vertical
Get ready to start scrolling!

Tilt your head.

Dudes and Dudettes, this panorama of the Golden Gate was stitched together from ten RAW files using the Photoshop CS3 Extended Photomerge automation in Cylindrical mode.

In Photoshop, there are a bunch of different panorama modes you can choose from, including this one—I thought it looked best—as well as perspective, and automatic.

The file was pretty big since it layered the ten images. But I was surprised at how well it came out, considering that I didn’t use a special tripod head. Alignment was perfect. There was very little lost of the ten images when I cropped. The whole thing came to a whopping 53 inches wide at 1:1.

You can also see the panorama in normal, horizontal fashion.

I snapped the ten exposures in quick succession, each at 1/6 of a second and f/4.5. My lens was set at 42mm, about “normal” and neither telephoto nor wide angle.

Up on Hawk Hill, the weather was balmy and summer-like, considering it was mid-January. There were four or five of us with our tripods, and a video crew as well.

The full moon made the light as the sun set over the Golden Gate very special. I like that in this panorama you can see the moonrise at the bottom end.

Scrolling to the top, you can see the sunset…with a variety of other scenes along the way.

Golden Gate Panorama

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Stranger in a Strange Land

Friday, January 9th, 2009

Cameo

Cameo, photo by Harold Davis. View this image larger.

This is the dome in the Westfield shopping mall in downtown San Francisco. I believe the dome itself is antique, but it’s placed in an entirely modern shopping mall.

Between committments at Macworld at the Moscone Center I wandered over and indulged my dome photography habit. It’s easy with most domes to capture the entire inside of the structure. The architecture of this one, with the modern shopping mall only a few floors below the mall, made it impossible, even with my fisheye, to capture the full extent of the thing (I may share a fisheye view later). So I got down on the center of the floor under the dome, and used a 12mm wide-angle lens instead to create a jewel-like effect.

Both Macworld and the Westfield shopping mall seemed to me examples of extreme consumption, with tech gadgets the theme at Macworld and shopping-until-you-drop the raison d’être at Westfield. Both the computer show and the shopping mall seemed to be in a bubble of denial (Westfield more so than Macworld).

I tend towards feelings of alienation at times anyhow. But there’s nothing like pulling out the tripod and getting down on the floor in the midst of glitzy stores, carts hawking cosmetics, and glazed shoppers to make one feel like a stranger in a very strange land.

Beyond the Fog

Tuesday, January 6th, 2009

Beyond the Fog

Beyond the Fog, photo by Harold Davis. View this image larger.

On the last clear evening of 2008 we hiked out to the summit of Wildcat Peak, getting there just in time to watch the sun set behind the Golden Gate—and, apparently, beyond the fog.

Oakland of My Mind

Friday, January 2nd, 2009

Pity poor Oakland. Playing Newark to San Francisco’s New York across the water, Oakland definitely gets no respect. This is the city that gave the “no there” to there, a gritty and high crime urban wasteland.

Oakland Reflections II

In real life, Oakland is a vibrant place of great variety, from beautiful hills to wildlife to sleek downtown skyscrapers to a controversial new cathedral and a busy port. (View my Flickr Oakland set.) Sure Oakland has its barrios, but these slums don’t remotely touch the grimness of those of the eastern cities.

Persistence of Reflections

But none of this really matters to me, because I’m only really interested in the Oakland of my mind. These images are what I really saw at the time I took them, but then again I was high on acid. Or not. LOL.

Results here have a very different aesthetic purpose than my impossible images. This story shows initial reality (whatever that is) as used as grist for my creative mill to create compositions that have intentionally lost believability. At the end, these are closer to paintings than photographs.

From top to bottom:

Oakland Reflections

Civilization

Tower of Babel - Pink Variation

Tower of Babel - Blue Variation