Landscape at Sunrise

At sunrise on a hill facing the ancient town of Cordes-sur-Ciel I was out with my camera and tripod. This was a classical view. Probably the track you see in the photo had been traversed for millennia. Framing the image with the bare branches of the tree on the right, the emotional impact on me was slightly sinister but exciting. For reasons I didn’t fully understand (and still don’t) this seemed like a turning point.

Landscape at Sunrise © Harold Davis

Landscape at Sunrise © Harold Davis

The first step in the photographer’s paradigm is to understand that it’s not about the hardware: cameras don’t take pictures, people do. Next, if you want your images to be more interesting, place yourself in front of more interesting scenes. But ultimately it is about personal interpretation, so more deeply than traveling to interesting places, become a more interesting person. This is where things get interesting, and circular, because who one is can be impacted by the emotional impact of where you go, the travel not the destination, and even the act of making a photo. The pull is bi-directional.

I can think the emotional subtext of an image like Landscape at Sunrise is a conversion like that of Saul on the road to Damascus, but the bigger question is what is the impact on me, on my life, and my life as an artist, and how will I take this into other work?

This entry was posted in Photography, Writing.

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