Forever Changed tells the story of psychiatric nurse Linda Mornell, who founded Summer Search. Summer Search is a national organization with a comprehensive program that gives “high school students what they need to develop the personal and practical skills to become college-educated leaders who give back to their families and communities.”

The subtitle of Forever Changed reads as follows: “How Summer Programs and Insight Mentoring Challenge Adolescents and Transform Lives.” While there’s certainly some information on this important subject in the book, neither the subtitle nor the Summer Search mission statement quoted above give an adequate idea of the rich content and compelling stories that await within.

The epigraph for the first chapter of Forever Changed quotes Salman Rusdie: “Those who do not have the power over the the story that dominates their lives, the power to retell it, to rethink it, deconstruct it…and change it as times change…cannot think new thoughts.” This begins to hint at what Mornell is really after in her book: how understanding the stories that make up our lives gives power to change.

The stories in Forever Changed are, in fact, juicy. Mornell uses her own story of starting Summer Search on a shoestring and growing it into a national organization—truly new territory for her—as the framework for telling the stories of participants in the Summer Search programs, often in their own fascinating words.

This is a book that gives hope. The lives of adolescents that Mornell worked with through Summer Search have in many cases been profoundly changed for the better. There’s also insight. What kind of person sticks with it and makes it despite incredible privations? How do you best interview adolescents from troubled backgrounds, and get them to open up and tell their stories? It turns out that even the intake interviews that Mornell and Summer Search conducted have been transformative, and Mornell explains why, her accounts leavened with a sense of humor about the process of growing up in less than privileged situations.

Read  Forever Changed for the stories of the triumph of hope and persistence over adversity and an increasingly sclerotic class system. Come away with insight on a number of fronts, most of all how we can make a difference.

Forever Changed is published by Triumph Books, ISBN 978-1-62937-022-4, illustrated, $24.95. Click here for the link to Forever Changed on Amazon.

Full disclosure: I am a friend and admirer of Linda Mornell and the work she has done at Summer Search, and had several discussions with Linda about her book while it was still in manuscript.

Troy Paiva, whose work is handsomely reproduced in Chronicle Book’s recent Night Vision, is one of the acknowledged masters within the small cadre of professional night photographers. The stunning photos in this monograph demonstrate the high quality of Troy’s work.

These are images of crumbling ruins in the American west ranging from abandoned military bases and resorts to the old train station in Oakland, airplane part junkyards, and erstwhile roadside attractions. If it is romantic, seedy, falling down, and visually arresting it is grist for Troy Paiva’s night time mill, who previously mined this vein in his classic Lost America: The Abandoned Roadside West.

Night Vision is subtitled The Art of Urban Exploration, which strikes me as a bit odd. Certainly, the fascinating photos in this book and the related stories are about the archeology of recent human culture. But they are not particularly “urban.” In fact, with the exception of the wonderful series of photos of the old Oakland train station, this work shows isolated or even rural settings (you can get a sense of this even from the book’s cover).

While Troy Paiva’s writing is lucid and compelling, I also don’t have much use for the trendy and mostly irrelevant opening essay, Desert Iliad by Geoff Manaugh.

Troy writes that he shot film until fairly recently, switching to digital in 2005 (about the time I did). I believe that most of the photos in the book were taken with digital equipment. Troy’s preferred subject matter and technique differ from mine. He is looking for lost human artifacts at night, I primarily like the natural landscape. Troy’s exposures are in the 2-4 minute range, and he light paints with flashlights and gels. My exposures are often far longer, and I’m not that interested in colored light painting. These differences help point out the vast vocabulary range available in night photography, and why this is an exciting area for many people.

In his description of his technique, Troy writes that mostly he doesn’t post process his images much: “These captures are virtually untouched, straight out of the camera, with all the scene’s warts and blemishes intact.” Why Troy thinks this is a positive is unclear to me, although obviously many people share this viewpoint. (I won’t go into the argument in great length here, but a digital camera is a computer with a scanner and lens attached, so why not do some of the processing on a computer with greater capabilities?)

I highly recommend this book for three different reasons:

• You can learn techniques of night photography from a master.
• Troy’s stories of getting these photos on location in crumbling America are a great tale of adventure.
• The images are stunning, and worth the price of admission on their own.

When I first looked at Understanding Shutter Speed by Bryan Peterson on Amazon I wondered how shutter speed, only one of the components of an exposure, made up a book. In fact, there are some organizational problems that are caused by choosing this particular slice as a wedge into the topic of photography. A good editor might well have wondered what the final chapter on “Composition” is doing at all in this particular book.

The great strength here is idea generation. It’s hard not to look at the illustrations in this book and say, “Hey why don’t I try that?” The caption information is explicit enough so that you can recreate the ideas shown for yourself, or use them as a jumping off point. As an idea book, Understanding Shutter Speed is well worth its price.

Personally, I find the text (as opposed to the photos and photo captions) problematic. Peterson seems out of his depth when it comes to digital. He really seems to think that from a noise viewpoint you are better off underexposing by two stops and adjusting in RAW as opposed to boosting the ISO and exposing properly (he’s wrong). His discussion of ISO using a metaphor of hundreds of carpenters struck me as simply silly and without much point.

Even if this kind of vague metaphor is your cup of tea, Peterson misses the whole arena of creative shutter speed fun that is possible with Photoshop and Camera RAW. (As an example, consider this flower photo that combines petals in slow circular motion with fixed interiors.)

This book is an intellectual muddle, and does not cover the creative possibilities of digital (as opposed to film photography). I realize that the deficits of this book sound quite serious (and they are). But leaving the intellectual muddle out of it, and sticking to pre-digital era photography, this is a book you’ll want to own as an absolutely glorious idea generator.