I haven’t reviewed the Artist Statement I wrote a number of years back for quite a while, and I recently had cause to take another look at my statement. I’m pleased that my Artist Statement stills speaks of me, and for me. Here’s the gist of it (you can read my full Artist Statement by clicking here):
My work lies at the intersections of many styles and disciplines: between east and west, classicism and modernism, photography and painting, and the new technologies of the digital era versus the handcraft traditions of the artisan. To understand my imagery, one needs to see where it fits within each of these dichotomies.
Before I explain, let me mention that my primary goal is not to evoke academic, scholarly, or pedantic understanding. I’d almost rather my work not be understood–so that the response is evoked on a primal level that has more to do with the heart and gut than the intellect.
A great deal of thought goes into my work, but it shouldn’t have to take thought to enjoy it. At the simplest level I am trying to evoke–at both conscious and unconscious levels–a sense of serenity, wholeness, and wonder. My work can be experienced and enjoyed simply and organically for its structure and beauty.
With many of my images, unwrapping the sense of wholeness that the work conveys is not immediate. I am asking someone experiencing my images to have the patience to contemplate–and perhaps resolve a visual puzzle–but I don’t necessarily let on upfront that my viewers will be confronting a conundrum.
I believe that advances in the technology and craft of digital photography have created an entirely new medium. My years of contemplation have opened my eyes and my heart, and taught me to see more deeply. I use this alchemy of wonder to combine the traditions of painting and photography with new technology.