Cross Processing

This is a close-up of a leaf, captured using my photogram technique to show the capillaries. (Here’s a similar view of a leaf from slightly further away.)

In the days of film, cross processing meant developing film with the process meant for another kind of film, like shooting Ektachrome (normally processed with the E6 process), and processing it using the C41 process (meant for Kodacolor). Film cross processing sometimes generated striking and strange color phenomena, and other times struck out entirely.

The closest digital analog to cross processing is to invert or equalize individual channels of an image in Photoshop. I post-processed this image using a number of different versions of these manipulated channels, and then reapplied the inversions to the inverted image.

To make this all easier, I’ve written a Photoshop Action that creates multiple duplicates of an image, and then seven different cross-processed versions of the original image so that I can easily see which work best.

This entry was posted in Photograms, Photography, Photoshop Techniques.

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  1. […] igital Photographs and Techniques from Harold Davis

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  2. […] image larger. Here’s a clematis captured using my digital photogram technique and cross-processed, on a black background (above) and inverted on a white background (below). I like the e […]

  3. By Photoblog 2.0: » Photoblog 2.0 Archive: » Mallow on October 10, 2006 at 7:05 pm

    […] r garden. Here are other mallow images, and my mallow set on Flickr. When I first started cross-processing this photogram in Photoshop, I was mainly attempting to get a transparent effect with […]

  4. […] pic on my blog, Photogram portfolio page, my photogram set on Flickr, Is It Photography?, Cross Processing, Photograms for the Digital Era, Rayographs.

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  5. […] image larger. This is a white Simplicity rose from my garden, captured as a photogram, cross-processed, and experimented on in Photoshop, all for the sake of a special project.

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  6. […] am of a dragonfly, rendered in the digital darkroom using masking, channel operations, and cross processing to create an effect that owes as much to painting as it does to photography.
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