On Night Photography
Photographing at night can be literally a trip into the unknown, dark and impenetrable. Often you can see neither your photographic subject nor your camera controls. You may be flailing around in the murk and gloom, at some risk of tripping over obstacles or falling down unseen cliffs. It’s hard to have an accurate idea of how vistas will render on digital. Light pollution from unexpected sources–a car passing, or a security guard shining a light at you to see what you are doing–is always possible. Almost certainly, it will be much colder than during the daytime.
So why bother?
One answer is because of the challenge. It’s technically demanding, so successfully photographing the night feels rewarding.
Night, and darkness, are there. Something like half our time is spent off the diurnal clock. Absent the luxuries of cilization, this nocturnal world is our world, and yet it is largely unseen. Making the unseen visible is one of the highest uses of photography.
So photography of landscapes in extremely low light shows us things we’d never see otherwise. And this revelation is often surprisingly interesting or beautiful (a case in point, these unexpected landscapes taken well after sunset).
If you decide to try night photography, dress warmly. Carry several light sources, preferably including a headlamp. You’ll need to know your equipment, including your tripod, well enough to work it essentially by feel.
Night exposures are almost by definition manual exposures, so you should expect to make trial exposures and adjust accordingly. As I’ve explained before, you’ll need a programmable remote device to make exposures longer than the maximum shutter speed setting on your camera (often thirty seconds).
Yosemite Valley at Night (above) is a 180 second exposure with the lens wide open taken from the road near Curry Village. It was part of the same series of exposures as Night in Yosemite, but instead of facing Glacier Point the photo shows the view past Mirror Lake and up Tenaya Canyon.
I literally couldn’t see what I’d pointed the camera at as I exposed the image (partly because the car headlights shown in the lower right blinded me). During the exposure, some people with a bright lantern walked slowly past, glancing at me with curiousity as I desperately tried to shield the lens from their light.
In the photo, clouds obscure Half Dome (shown on the right side above and in daylight below).
With security on the mind of everyone, why not install security cameras, able to receive digital images right onto your computer with the right digital video recorder equipment. Thus, why not consider grabbing yourself some sort of security system able to assist you in your time of need






May 8th, 2007 at 7:10 pm
[...] e due to the low light sensitivity of their emulsions, and not by choice). Related story: On Night Photography.
This entry was posted
on Tuesday, M [...]
May 11th, 2007 at 3:12 pm
[...] pt looking with longing at the dark heights above us. Clearly, I am becoming obsessed with night photography. Looking at the Park Service Marin Headlands trail map, I could see that the Coastal [...]
May 23rd, 2007 at 11:27 am
[...] ories: Mount Tamalpais from Euclid Avenue; Maserati and Mount Diablo; Digital Darkness; On Night Photography.
This entry was posted
on Wednesday, [...]
May 24th, 2007 at 6:19 pm
[...] , 330 seconds and f/3.5 (wide open). Related stories: Night for Day; Digital Darkness; On Night Photography.
This entry was posted
on Thursday, [...]
May 25th, 2007 at 4:21 pm
[...] nessee Beach Sunset; City Lights. For more info about night photography: Digital Darkness; On Night Photography.
This entry was posted
on Friday, Ma [...]
May 27th, 2007 at 5:42 pm
[...] the top of Mission Peak in plenty of time for sunset, staying until it was dark so I could photograph the landscape at night. Mission Peak was a new destination for me. It rises from the East B [...]
June 6th, 2007 at 7:25 pm
[...] ee reflected stars. To learn more about night photography, check out Digital Darkness and On Night Photography.
This entry was posted
on Wednesday, [...]
June 11th, 2007 at 3:42 pm
[...] Point Reyes from Arch Rock, photo by Harold Davis. View this image larger. With all the night photography I’ve been doing lately, I’ve begun to feel a bit like a night owl. To put [...]
June 23rd, 2007 at 5:16 pm
[...] nd see my platform in the sky. Related stories: Creature of the Night; Digital Darkness; On Night Photography. Visit Digital Night by Harold Davis. Check out the view of Half Dome from Olmste [...]