The Vertical Panoramic Format
I’ve been creating a number of horizontal floral panoramics, for example my Star Magnolia Panorama and Floral Tapestries, but this image, Peonies and Matilija Poppies, is my first high resolution vertical floral pieced together from more than one frame.
The horizontal format is much more typical than a vertical format when it comes to panoramas. Maybe this is because panning from left to right comes naturally, and up to down less so. Also maybe there aren’t that many spaces that lend themselves to a really tall vertical print.
Creating the Image
I shot the image in two frames straight down on a lightbox. The lighting comes from behind via the lightbox, and from in front using controlled natural lights and reflectors.
Each frame consists of ten exposures, with each exposure shot using a 40mm macro lens at f/14 and ISO 100. Shutter speeds ranged from 1/30 of a second for the darkest image to 5 seconds for the brightest image.
I combined the twenty exposures that went into this vertical panorama by first layering together each frame. I started with the brightest (5 second) exposure, and used layers, layer masks, and the Brush Tool in Photoshop to paint details in—with some assistance from a layer constructed using Nik’s HDR Efex Photoshop plugin.
Once the top and the bottom of Peonies and Matilija Poppies had been combined I stitched the two panels together to construct the final image. I then placed the image in Photoshop on a scanned paper background, with some added texture on top of the final image.
Making a Print on Unryu
I shot this image at the same time as Peonies mon amour, and am only now getting around to processing it. Like Peonies mon amour, I think Peonies and Matilija Poppies will make a great print on Moenkopi Unryu Washi rice paper.
Please let me know what you think of this image. Click on the image or here to view it larger (opens in a second window).