There’s nothing I like better than to capture romantic landscapes. Of course, any landscape can be romantic in the right light, and almost any landscape can be grim in harsh light. Still, when I am in the heart of the mountains, my thoughts turn towards romantic imagery—and the same when there is a sweetly pictaresque tower or two, or maybe an ancient castle rampart.
Fundamentally, this is an anti-post-modern aesthetic on my part. Maybe this is catchier as “post-post-modern” imagery (abbreviated as “post-squared modern”). In other words, I like the lushness of imagery that shows us a world that is partially fantasy. A world that takes a certain kind of eye to see, and the very real skills of a post-squared modern digital artist to capture without overdoing it. I am aware of the possibilities of irony, but prefer the policies of optimism.
About the images: (Top) With sunset coming on in a light rain, I hurried to find a high vantage point in the fabulous towered confection of San Gimignano, Italy. From the little tower on the Rocca I had a great view across to the towers, and to the rain passing in the sunset. (Above) View east from the mountains above Cortina d’Ampezzo, Italy. (Below) This sunset view of Castelo Marvao in Portugal reminds me of the feeling in the San Gimignano image at the beginning of this story.