I am giving three flower-related photography workshops in 2019. I have been asked a number of times how these workshops differ, and how they overlap—so I’d like to make things as clear as possible so that, if you are interested, you can make the right choice.
First, Photographing Flowers for Transparency in June in Berkeley is the only workshop I will be giving that exclusively focuses in depth on my light box techniques.
Here are some more details about how to choose between the workshops:
The three workshops are very different in focus. My annual Photographing Flowers for Transparency workshop here in Berkeley is a studio-and-Photoshop based course in photographing and processing high-key light box images. This is a complex technique, and it is the only technique the workshop covers, with the goal of getting each proficient technically capable of making this style of image on their own.
You can find the full workshop curriculum on the workshop listing page if you scroll down. The short version is that Day 1 is about arranging and photographing flowers on a light box, and Day 2 is about the related post-production. Light box work—photographing flowers for transparency—is all this workshop will cover.
In contrast, the garden and flower photography workshop at the Palm Beach Photography Centre in early February is largely a field photography workshop. We will be photographing gardens and flowers in a variety of local locations, and also exploring a spectrum of studio photography techniques in the studio, along with critiquing work with an eye to improvement and forming an individual style.
The workshop will demonstrate a range of techniques, including light box work, but the light box will only be a small portion of what is covered, just enough to give a taste of the technique.
I believe the workshop description a gives a pretty good idea of what is involved. For me, my first at the Palm Beach Photo Centre, a special feature of this workshop is that it coincides with a workshop led by national photography treasure, Joyce Tenneson, Light Your Creative Spark. Joyce has a thing or two to say about many aspects of photography, including flower photography. We’re hoping to co-lead some joint workshop sessions while we are both there; and, if you’ve already taken a workshop with me, you might consider Joyce’s workshop as an alternative to repeating with me.
I will be giving a third related workshop in 2019, the week of August 11-17, 2019 at Maine Media Workshops in Rockport, Maine, where I have been teaching for a number of years. This will be a five-day workshop on photographing the great gardens of Maine. This year we have lined up some extraordinary public and private gardens to photograph. Besides the field sessions, we will also be sharing work, learning studio floral photography techniques, and exploring how to enrich our individual creativity, and to express the ineffable with flower photography. I’ll post the registration link once it is available.
So, to summarize, the Maine and Palm Beach workshops are comparable, except for where they are given, and the lengths (three days for Palm Beach versus five for Maine). Light box work will be shown in a demo, but this is probably not really enough to master the technique in-depth. The Flowers for Transparency workshop is one I give annually, and is an intensive and immersive experience that has been designed to thoroughly teach my light box techniques (but does not include any field photography or visits to locations).
Obviously, potential workshop participants need to choose what works for them in terms of their own schedule and where they are located geographically, as well as what they are most interested in. For the light box process, come to Berkeley in June. You should expect to photograph some really spectacular gardens in Maine in August with me, and in Florida enjoy February’s special flora in a great location, along with the creative synergy that Joyce and I can create (personally, I would consider just signing up for the Joyce Tenneson workshop if I weren’t teaching at the same time!).