What matters most is light. A good photographer has hungry eyes, and will visually examine the world for potentially interesting subjects. But the subject matter itself is nothing without exciting light and its interplay with the world. Light and lighting convey emotion and faith—whether the subject is a church or a country road in the woods near a Zen retreat.
Basilica Mission Dolores © Harold Davis—Click image to view larger
Mission Dolores is the oldest building in San Francisco. A separate building, the Basilica Mission Dolores was built after the great 1906 earthquake. Inside the Basilica Mission Dolores, the chiaroscuro illumination with its moody contrasts between light and dark got my full attention.
Pews © Harold Davis—Click image to view larger
“If you change the way you look at things, the things you look at change.”
Intensive Workshop: Photography in Paris with Harold Davis, October 14-21, 2012
My Photography in Paris with Harold Davis workshop is limited to six photographers. I’ve organized the October 14-21, 2012 intensive photographic workshop in Paris as a small, selective group so each photographer will get intensive individual attention.
About the workshop: This will be an intensive photography workshop in the field. In a small group I will be able to give a great deal of individual attention and feedback—and I think everyone who has ever attended one of my workshops will tell you that they’ve gained insights about how to see photographically—changing the way they look at things—as well as how to process their photos. (Check out some of the recent feedback on the Photography with Harold Davis meetup site.)
Paris is certainly a subject that will inspire anyone’s photography, and help them move their work up to the next level!
Workshop curriculum: This is largely a field photography workshop, and we’ll focus our lenses on Paris in autumn and the sometimes stark, sometimes colorful compositions of this season, Paris at night, and Paris in black & white. There will be individual assistance in obtaining the best results. The following topics will be emphasized in the field:
- Oberving light in the field, pre-visualizing the impact of light and lighting, and changing the way one looks at things
- Using manual exposure controls for creative impact
- High Dynamic Range (HDR) photography for a natural look
- Seeing in black & white for monochromatic excellence
- Taking advantage of unusual lighting and exposure situations
There will also be ample time for image review, and for explaining how to best post-process images, particularly HDR and black & white.
About the workshop tuition: I’ve been up and I’ve been down in my life, and I certainly know that not everyone has the tuition money to join my Paris workshop. But I did want you to understand that the fixed costs are the same whether it is a smaller workshop or a larger workshop. Dividing out the costs, the smaller group does cost more per person than a larger-sized group, it is simply the way it has to be.
As I’ve noted, space is extremely limited and this workshop is filling up, so if the opportunity of photographing Paris with me and a selective group is of interest to you, please register right away to avoid disappointment.
Click here for the complete itinerary details of the Oct 14-21, 2012 workshop and click here for online registration. Note that I am offering a $200 rebate to anyone who completes an accepted workshop registration by Friday, July 7, 2012.
