Category Archives: Monochrome

Planet of the Succulents

Planet of the Succulents © Harold Davis

Planet of the Succulents © Harold Davis

This is a succulent from our front porch. I brought it inside, and photographed it straight down on a black velvet background. My thought was that it looked rounded like a globe or planet. I used my 55mm f/1.4 Zeiss Otus lens at 1/6 of a second and f/16 at ISO 64 with the camera on a tripod. I cropped to create a square image in post-production. The version below is an L-channel inversion of the original image, using LAB color.

Evil Twin: Inverted Succulent World © Harold Davis

Evil Twin: Inverted Succulent World © Harold Davis

Also posted in Photography

Carcassonne in Black & White

Carcassone Outer Fortifications © Harold Davis

Carcassone Outer Fortifications © Harold Davis

The techniques shown in this image—bracketed sequence photography, processing for extended dynamic range, layer stack monochromatic conversion, all with an added antique effect—are detailed in my new book. It is available for pre-order on Amazon and the publisher’s website. Thanks to everyone who has made The Photographer’s Black & White Handbook: Making and Processing Stunning Digital Black and White Photos the #1 New Release in Black & White Photography on Amazon and Amazon’s #1 “Hot New Release” in this category!

9781580934787

Also posted in Digital Night, France, Writing

Stonington Harbor, Maine

When you saw the title of this blog story, I’ll bet you thought it would be illustrated with images of picturesque lobster boats, lobster traps, and so on. Well, there are plenty of those in Stonington, at the foot of Deer Isle, facing Penobscot Bay.

Stonington Harbor © Harold Davis

Stonington Harbor © Harold Davis

Stonington is a true working harbor, and a little off the beaten track of tourists to Acadia National Park, with an industrial-scale lobster operation. At dusk, when the tide was low, I wandered some of the rundown piers, and admired the still reflections in the waters of the Atlantic.

Pier, Stonington Harbor © Harold Davis

Pier, Stonington Harbor © Harold Davis

Setting up my tripod amid tall grass and old lobster traps, I ignored the mosquitoes buzzing my ankles, and focused on the pilings and stone walls across the inlet from Stonington’s commercial fishing pier.

Also posted in Photography

Rockland Breakwater

The Rockland, Maine breakwater is a loosely laid wall of large granite rocks that protects Rockland harbor, and stretches about a mile out to a lighthouse. The photo below shows the breakwater in its causeway aspect, while I used the motion of the waves on a float anchored to the causeway and a longish time exposure (two minutes) to create the still water effect in the image shown underneath.

Rockland Breakwater 1 © Harold Davis

Rockland Breakwater 1 © Harold Davis

Rockland Breakwater 2 © Harold Davis

Rockland Breakwater 2 © Harold Davis

Also posted in Landscape, Photography

Penobscot Crossing

The observatory at the top of the bridge across the Penobscot Narrows bills itself as the highest bridge observatory in the world. Be that as it may, on a rainy day the lines and shapes of this interesting bridge became an abstract from above, particularly when crossed with the wake of a motor boat.

Penobscot Crossing © Harold Davis

Penobscot Crossing © Harold Davis

Also posted in Photography

Isleboro Ferry

Today I took my workshop class on a field trip to Isleboro, a short ferry ride from the Maine mainland. One of the techniques I asked the group to practice was intentionally hand-holding long exposures for a blurred look. This kind of blurring becomes one possible tool in the in-camera digital toolbox—tack sharp is not the only aesthetic choice when we make images. As an example, here is a long exposure image of the Isleboro ferry coming into the dock.

Isleboro Ferry © Harold Davis

Isleboro Ferry © Harold Davis

Exposure data: Nikon D810, 28-300mm lens at 90mm, six seconds at f/25 and ISO 64, +4 neutral density filter, circular polarizer, hand held; processed in Photoshop, Nik Silver Efex, and Perfect B&W.

Also posted in Photography

Three Poses and a Two-Fer

Contemplation © Harold Davis

Contemplation © Harold Davis

I had fun photographing a model from Los Angeles the other day. Mostly we did multiple exposures, but I also did some single poses. The single poses are shown above, and the first two below. The bottom image is an in-camera double exposure, with the same model appearing twice. I converted all images to black and white to keep the visual impact of these images simple. The model is Sera Ferron.

Wonder Why © Harold Davis

Wonder Why © Harold Davis

Figure Study Jumping © Harold Davis

Figure Study Jumping © Harold Davis

Me & Me © Harold Davis

Me & Me © Harold Davis

Also posted in Models, Photography

Sunflower

Sunflower on White in Black and White © Harold Davis

Sunflower on White in Black and White © Harold Davis

Also posted in Flowers

Handsome Gargoyle Devil and the Pinhole Effect

A gargoyle is a carved grotesque, with (sometimes) the practical function of serving as a down spout for rain, and often the emotional purpose of warding off evil spirits. The world’s most famous gargoyles are those on the cathedral of Notre Dame in Paris—which, however, are probably as much due to the Gothic romanticist architect Viollet-le-Duc as they are to historical veracity and antiquity. When Viollet-le-Duc reconstructed Notre Dame in the 1860s, it was tumbling down and virtually abandoned. Violett-le-Duc’s renovation was strongly inspired by Victor Hugo’s novel The Hunchback of Notre Dame—a work of romantic fiction not particularly based in historical realities.

Gargoyle © Harold Davis

Gargoyle © Harold Davis

Whatever the historical authenticity of the Notre Dame gargoyles, they are a marvelous subject for photography, and a “must see” on any first visit to Paris, particularly if you have kids with you (my fourteen-year-old son Nicky joined me for my last visit to Paris in the spring, so I got a refresher in all things gargoyle, and hot chocolate as well!).

The first cameras were pinhole cameras. Pinhole cameras don’t have a lens.  Instead of a lens, light passes through a tiny hole; the light passing through this hole forms the image inside the camera. A camera obscura is a large pinhole camera where light passes through a tiny hole—the smaller the hole, or aperture, the sharper the image—and is projected on the back wall of an otherwise dark room.

The projected image is upside down, but perspective and other characteristics are preserved, so a camera obscura can be used to create detailed drawings that are accurate representations of scenes.

The first camera obscura was created by Arab physicist Ibn al-Haytham in the eleventh century. In the west, the optics of the pinhole effect were imported from the Arab world, and understood as early as the fifteenth century Renaissance (they were described by Leonardo da Vinci and others). The use of the optical pinhole effect in the camera obscura was one of the key discoveries leading up to the invention of photography; if you get the chance, don’t miss the opportunity to visit a large camera obscura, found in public parks in a number of major cities (adjacent to Seal Rocks in San Francisco).

I processed my image of this gargoyle as a demonstration of the post-production pinhole effect (adding the pinhole look-and-feel in the Photoshop darkroom rather than in the camera) for my forthcoming book The Photographers Black and White Handbook. The result is a blend of the Nik Silver Efex Pinhole preset (70%) and the Topaz B&W Effects Pinhole (30%).

Also posted in Paris, Photography, Photoshop Techniques

Kira in a Cafe

For the demonstration of how to add a post-production selective soft focus using an Iris Blur for my forthcoming book from Monacelli Press, The Photographer’s Black and White Handbook, I used this portrait of Kira, photographed in a café near the Eiffel Tower in the City of Light.

Kira in a cafe © Harold Davis

Kira in a cafe © Harold Davis

Also posted in Paris, Photography

Rooftops of Paris—Split-Toned Version

I used my image of the Rooftops of Paris as a demonstration image for my new book, The Photographer’s Black and White Handbook. In my book, I use the image to show how to accomplish split-toning via a color range that selection that is converted to a layer mask. Using the layer mask, whatever tone is desired can be applied to the image. With the layer mask inverted, a different tone can be applied to the portions of the image that weren’t toned the first time.

Rooftops of Paris © Harold Davis

Rooftops of Paris © Harold Davis

Exposure and processing info: 90mm, 1/320 of a second at f/9 and ISO 200, hand held; processed in ACR and Photoshop; converted to black and white using a Photoshop adjustment; toning added for mid-tones to dark-tones using Nik Silver Efex High Contrast Preset with Cyanotype and to light-tones using Full Dynamic Preset with Sepia (both toning effects at partial opacity).

Click here to see the color version. I’ve been surprised to find the color version reproduced without authorization or licensing, which makes me glad to have Pixsy on my side.

Also posted in Paris

As Time Goes By

On a late November wet afternoon, as dusk turned to sodden night, I wandered the banks of the Seine River with my camera. My idea was to render the street lights as an important graphic element of the scene, so I intentionally used a long exposure and introduced camera motion into the composition, then processed to exaggerate the impact of this lighting. Note the couple doing the romantic Paris kissing thing in the light of one of the street lamps.

As Time Goes By © Harold Davis

As Time Goes By © Harold Davis

This image was originally presented in color in December 2013. As part of the Black & White photography book I am working on fro Monacelli Press, the chapter on special effects is set in Paris. I’ve reprocessed the image as part of a technique demonstration in my book.

Exposure and processing info: Nikon D800, Zeiss 35mm f/1.4 Distagon, 4 seconds at ISO 50, hand held; processed in ACR and Photoshop, special effect added in Nik Analog Efex, converted to black and white using Nik Silver Efex High Contrast and Antique Plate presets.

Also posted in Paris

Inside Prague’s Old Town Square Tower

For a book about black and white photography I am working on, I needed a few more images from Prague in the Czech Republic.

This image shows the inside of Prague’s Old Town Square Tower. From the deck outside the tower there is a great view of Prague, and inside the tower the elegant spiral stair with an elevator in its center is really nifty, too! Click here for the original story from my 2015 visit to Prague (with the image in color).

Inside the Old Market Tower in Black & White © Harold Davis

Inside the Old Market Tower in Black & White © Harold Davis

Exif info: Nikon D810, 15mm Zeiss 2.8 Distagon, 1/60 of a second at f/2.8 and ISO 2,000, hand held; multi-RAW processed in ACR and Photoshop; converted to black and white in Photoshop and Nik Silver Efex Pro.

Also posted in Czech

Magic Reflections

Warped, photo-composited with a horizontal mirror of itself, and converted to black and white with a partial etching effect, the Abbaye Sainte-Foy in Conques takes on an illusion and appearance almost like a work by M.C. Escher. The color version is also shown at the bottom.

Magic Reflections © Harold Davis

Magic Reflections © Harold Davis

Window on the Ancient Abbey © Harold Davis

Window on the Ancient Abbey © Harold Davis

Also posted in France

Succulent from our Garden

Succulent from our Garden © Harold Davis

Succulent from our Garden © Harold Davis

Fortunately, this succulent was in a planter so I could bring it indoors and out of the wind to photograph. 85mm macro, nine exposures at shutter speeds from 1/4 of a second to 2 minutes, each exposure at f/64 and ISO 100; tripod mounted; processed and converted to black and white in Adobe Camera RAW, Photoshop, Nik HDR Efex Pro, and Nik Silver Efex Pro.