The Fly and I

It all started this morning with this fly buzzing around my work room. After I’d captured the fly, I got out the Lens Baby transmogrification disintegrator reintegrator.

My wife said, “Not the Lens Baby, please! A bee is one thing but a fly is quite another. I’m taking the kids, and when I come back, I don’t want to see gross hairs coming out of your arms, at least any grosser than they are now!”

I put the camera on a tripod (portentous music), and photographed the fly on a cyclomen petal (which accounts for the lucious background color).

I photographed it conventionally with my macro lens and extension tubes.

So far, I’ve mostly been using the Lens Baby handheld. But I figured since I had the setup and the tripod, I might as well try different Lens Baby aperture rings as well. It worked best with the wide open aperture ring and the Lens Baby macro kit, exposed at about 1/60 of second.

You really don’t want to see too much of the fly. At least I don’t, and I don’t think my wife does either.

So to heck with being conventional, if you are going to trade places, er, I mean photograph, a fly, you might as well use the Lens Baby and its macro filters.

So why it is so upsetting to watch a head like my head appear on the fly, and fly hairs grow on my wings? I seem to be making a buzzing sound, and I won’t even mention my distressing food cravings. And that fly with my head has got my D70, and keeps saying, “Say Cheese!”

Help me! I’m turning into that which I photograph. And, oh yeah (more portentous music). That transmogrification disintegrator reintegrator is busted. I CAN’T CHANGE BACK! HELP ME! HELP ME! (Fade to black.)

Harold buys most of his digital photo equipment from B&H. Click here for Nikon DSLRs and here for Canon DSLRs. Keep in touch with what Harold is doing! For news, tips, techniques and special offers related to Harold's work and digital photography subscribe to the Harold Davis Photography email newsletter.

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