Poet William Blake wrote about building a Hell in Heaven’s despite, and the cognitive dissonance of traveling in Japan often put me in mind of this poem of Blake’s (which also describes building a Heaven in Hell’s despair). In Japan, there’s an aesthetic that embraces remarkable beauty, and at the same time is able to create landscapes that bear a passing resemblance to Hell itself, from the vast human ant piles of the urban Japan to the industry on the shores of the Inland Sea.
Less the thirty miles apart as the crane flies, the peaceful, serene, and fern-filled landscape along the Kumano Kodo pilgrimage trail (above) somehow manages to reside in the same consciousness as the heavy industry in the port of Wakayama (below).
I photographed the image of the Fern Forest on a wet and dripping day, with the sun starting to come through the overcast skies. Everything I needed was in my backpack, and I waited for the wind to still as I used my umbrella to protect the camera on its tripod from raindrops. Exposure data: 36mm, 1/13 of a second at f/8 and ISO 400, tripod mounted.
The photograph of industry on the shores of Japan’s Inland Sea is from the “Big Tuna” ferry heading from the port of Wakayama on Honshu to Tokushima on Shikoku Island. In processing this image, I regarded the industrial landscape as a kind of abstraction, almost mirroring the kind of calligraphy sometimes used in Japan. Exposure data: 300mm, 1/800 of a second at f/8 and ISO 200, hand held.
Related: Japan category on my blog.